Murray Schisgal

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.

When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego—Dorothy Michaels—in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

An American-born Jewish adolescent, Hannah Stern, is uninterested in the culture, faith and customs of her relatives. However, she begins to revaluate her heritage when she has a supernatural experience that transports her back to a Nazi death camp in 1941. There she meets a young girl named Rivkah, a fellow captive in the camp. As Rivkah and Hannah struggle to survive in the face of daily atrocities, they form an unbreakable bond.

The world of a young housewife is turned upside down when she has an affair with a free-spirited blouse salesman.

Depressed by the direction his life is taking, Harry decides to take his own life by jumping off the Manhattan Bridge. At the last minute he's stopped by old friend Milt Manville, a successful stock broker. Milt, however, is facing his own problem: he has fallen out of love with his argumentative wife, Ellen. In a misguided effort to solve both of their problems, he introduces Ellen to Harry, hoping the two will fall in love.

During a typically disaster-filled day, Ben Harris, an angry and frustrated bachelor mailman living in a cluttered Greenwich Village basement, learns he has been paying rent to a woman who hasn't owned his building in 6 years. No longer able to endure the injustices of society, he decides to activate the ferocious tiger within himself by abducting a helpless female and dragging her back to his lair.

On his wedding day, in the few remaining hours of his bachelorhood, Barney Kempinski goes off to tour the city and sing his song to life, love and the city of New York.

Laurent Terzieff was more than a good actor, after having been a real "star" in the cinema, through his professional choices, he gradually became a real "conscience of the theater", so much had he thought about his art. He received six Molière awards and was always unanimously praised by his peers. “THE GHOST OF LAURENT TERZIEFF” is a daring portrait, as it explores in depth “the secrets of a soul” and the atypical journey of the actor.

Real-life couple Eli Wallach and Anne Jackson star in this 1971 television adaptation of Murray Schisgal's moving play, in which married law student Paul Cunningham takes a job as a typist for an ad agency, where he meets lonely spinster Sylvia. Through a series of flashbacks and flash-forwards, the story of their relationship and developing romance unfolds. Emmy Award winner Glenn Jordan directs this volume from the Broadway Theater Archive.

The story spans over 45 years and shows the daily work routine of two co-workers.

Two typists confront their dreams, fears and failed personal and professional lives. Based on a play by Murray Schisgal.

Teleplay based on the play by Murray Schisgal.