Clifford Mollison

No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.

Ebenezer Scrooge malcontentedly shuffles through life as a cruel, miserly businessman, until he is visited by three spirits on Christmas Eve who show him how his unhappy childhood and adult behavior has left him a selfish, lonely old man.

Dr Simon Helder, sentenced to an insane asylum for crimes against humanity, recognises its director as the brilliant Baron Frankenstein, the man whose work he had been trying to emulate before his imprisonment. Frankenstein utilises Helder's medical knowledge for a project he has been working on for some time. He is assembling a man from vital organs extracted from various inmates in the asylum. And the Baron will resort to murder to acquire the perfect specimens for his most ambitious project ever.

The working-class Smiths change their initially sunny views on World War I after the five boys of the family witness the harsh reality of trench warfare.

Two men who are nextdoor neighbors constantly battle it out over seemingly trivial offenses. Their wives, on the other hand, are best of friends. The two couples attempt to win a 'love-thy-neighbor' competition by lying...

' You should have thrown the hand-grenade.' ' I've still got it!' An unexpected stranger arrives at the old people's home in Norway where a famous writer is kept in confinement after the war. Should he be brought to trial for collaborating with the Nazis? Or will the young partisan carry through his original plan to kill him?

After a quayside mix-up with the Italian family of his fiancée, Able Seaman Knocker White finds himself literally left holding the baby. Unable to return it before his ship sails he enlists the help of best mate Puncher Roberts to smuggle the child aboard. But babies are surprisingly demanding and gradually the whole crew is drawn into helping keep it fed and washed - and undiscovered. Even so, the officers above deck start to puzzle over the increasingly strange happenings on board.

In this romantic comedy, the king of Ruritania marries an impoverished commoner after he is exiled. Trouble shows up when the king must return to his country and marry an heiress. Fortunately, his first bride has fallen for an army officer and is happy to have her royal marriage annulled.

A man inherits a nightclub that belonged to his brother but soon discovers that it is the headquarters for a dangerous criminal gang.

A hard-bitten newspaper reporter is drawn back into the world of sleaze he had hoped to have left behind, and this time it goes right to the top.

Two funeral parlours fight one another for business, one of whom is more shady than the other.

An ambitious young man secures a job in the colonial service, the only stipulation being that he needs to be married which he isn't. He has just twenty four hours to find a woman to persuade to marry him.

A telephonist falls for her employer.

George Smith, a mild-mannered clerk with a crush on his boss's daughter, is led astray by an old friend of his father. A midday sojourn to a public bar results in him insulting his boss, getting sacked and enlisting in the Navy. Will he still remain a feeble second-best, or will active service make a man of him?

The Cinderella story is reversed in this light-hearted adaptation, with Cinders a young man who eventually wins the 'princess' – in this case, an oil millionaire's daughter!

A professional footballer attempts to recover a winning pools ticket.

'Poor lord tells future father-in-law that his ex-fiancée is his sister.' (British Film Catalogue)

A theatrical impresario tries to win a bet with a psychiatrist over the production of a perfect baby.

A young Spanish woman marries a lowly Englishman, rather than the aristocrat her father had intended, much to his displeasure.

One of the first screen outings for Will Hay. Hay plays the Director General of the National Broadcasting Group (NBG) who hides away in his office unaware that the general feeling about his programming is that it is too high-brow and the public are not happy. However, when he discovers this he decides to take action and promotes Jimmy, his Head of the Complaints Department, to Programme Director. Jimmy decides that a series of variety spectaculars are what the public want and sets about hiring the acts. But obstacles are put in his way and he discovers that the NBG has its own cluster of wannabe variety stars.