Alan Melville

ITV Playhouse is a British comedy-drama TV series that ran from 1967 to 1983, which featured contributions from playwrights such as Dennis Potter, Rhys Adrian and Alan Sharp. The series began in black and white, but was later shot in colour and was produced by various companies for the ITV network, a format that would inspire Dramarama. Actors appearing in the series included Leslie Anderson, Gwen Nelson, Ricky Alleyne, Pat Heywood, Michael Elphick, Ian Hendry, Edward Woodward, Margaret Lockwood, Jessie Matthews and Lloyd Peters.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

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New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

A couple of bickering, married performers agree to star in a "Mr. and Mrs." TV show.

The suburban peace of the Bentley household is shattered when John Bentley is informed by his wife Stella that their two married daughters, Pat and Corrine, are in trouble and need funds to come home and bring their husbands, Peter, a penniless Parisian artist, and Barnaby, a Texas cowboy, with them. And the youngest daughter, Gwen, has tricked an American singer, Bobby Denver, into visiting them on the pretext that it is the home of a noted British film magnate. When all the women in the household – including the maid – fall for the singer's charms, Bentley consults a crackpot psychiatrist, Dr. Schneider, who almost succeeds in ousting not the singer but Bentley's wife, with his advice to Bentley to make her jealous by living it up with Pearl, a showgirl recruited for the purpose.

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The owner of a Scottish castle discovers that it is haunted by the spirit of a beautiful woman. He decides to use the ghost as a tourist attraction for his castle

Half-fae-half-mortal shepherd Strephon wants to wed shepherdress Phyllis, but, although she reciprocates his feelings, she has a dilemma — she is so beautiful that all of the House of Lords, as well as her guardian, the Lord Chancellor, are also desirous of marriage.

In The Vortex, Coward explores the darker side of the cocktail party set. Emotional blackmail, drug abuse and shattered relationships are minutely observed in this disturbing, early piece from a playwright whose sharp eye was usually more turned towards the light.

An eccentric jewel-thief invites an assortment of people for a country house week-end, then keeps them prisoner after his plans to steal their jewels have been discovered.