Toshihito Ito

Shomuni, that's the common name given to General Affairs Section 2 of a trading company. Here are six women who have ended up in this department known as "the dump" for office ladies. But Chinatsu Tsuboi (Makiko Esumi) declares that the value of woman is equal to the number of men. With her as the central focus they create a totally new type of office lady drama that does away with those heartless men still caught up in worn-out social ideas and the class system within the company.

Although 23 year old Yamada Naoko is a "super" magician, she is continously fired and constantly hounded by her landlady for the rent being late. After being fired once again, her boss shows her an ad of a physics professor, a non-believer of all things magical, offering money to anyone who can prove to him that magic is real. Desperately needing the money, Naoko accepts the challenge, which is how she comes to meet Professor Ueda. Falling prey to her simple magic tricks, Ueda is impressed, and enlists Naoko to help him uncover the tricks behind a local cult. Their hilarious antics, along with those of police officer Yabe, leads them onto further mysteries, all with tricks needing to be solved in sort of an "X-Files" meets "Scooby-Doo"...

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The drama tells the story of a hostess turning 30 years old.

Tamaki Aso (Honami Suzuki) is a dedicated news anchor known for her stoic professionalism, even reporting on her own husband's tragic death during a broadcast. Her life takes another dramatic turn when she becomes the guardian of her late husband's estranged teenage son, Ryu (Hideaki Takizawa), leading to a rocky start but gradually evolving into a deeper connection. Set against the backdrop of a cutthroat newsroom, the series explores themes of ambition, personal growth, and the struggle to balance career and unexpected familial duties.

Furuhata Ninzaburo's goofy sidekick Shintaro vents his frustrations to the uninterested forensic technician Kuwabara.

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Great Teacher Onizuka is back, using his unorthodox brand of inspiration and education as a substitute teacher in a depressed small town in Hokkaido.

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Attorney Asabuki Riyako goes to wine store in Ginza and meets a friend from college, Matsuura Ayano. Matsuura is the CEO of a wine company. The next morning, Asabuki learns from the news that Matsuura's father has died in one of the rooms at the inn.

Tomoko Tamura, a second-year high school student living in a detached house in Miyahara-chō, Omiya City, Saitama Prefecture (now Kita Ward, Saitama City), goes on an overnight hot spring trip to Izu with eight of her classmates, four boys and four girls, to enjoy her last summer before their entrance exams. However, Tomoko cleverly gets off at a station along the way to buy some ekiben (boxed lunches), which causes her to miss the train and get separated from her friends. From there, a series of tragedies unfolds in this coming-of-age comedy. Based on the comic by Minako Fujino. Screening alongside the film is That's Cheating! The Biggest Plan in History? (starring Tatsuya Yamaguchi and Namie Amuro, directed by Hiroshi Sugawara) as a double feature theatrical release.

Based on the manga by Sadao Jouji which has been running in the magazine Shukan Gendai since 1969.

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Amateur band guitarist Minoru Katagiri becomes unconscious when someone hits his head at her sister's house. When he regains consciousness a month later, he learns that her sister was killed as a victim of a series of bizarre murders that day. In addition, his sense of smell developed abnormally due to the after-effects of being beaten, and he acquired a special ability to visualize odors. Minoru pursues the criminal by making full use of this special ability.

Recorded on 15th April 1994 at Kinokuniya Hall, Tokyo. This play is what brought media fame to Koki Mitani back in 1991, performed by his theatre group Tokyo Sunshine Boys. It was adapted into a television special in 1992 and then in 1994 (the run the released DVD recording captures) they did another run. It was broadcast on NHK-BS2 on 26th May 1994, identical to the TV release but with differences in music. It is Mitani's typical farcical comedy where the characters follow only one rule: 'No matter what happens. Once that curtain rises. It must not be lowered until we finish our performance.' Koki Mitani said of the play 'They are outrageous people, but deep down, there is a firm principle running through their veins: "Once the curtain rises, no matter what happens, there is an ironclad rule." For stage performers, the phrase "the show must go on" essentially means you can't take the show off.'