Nick Vanoff

The Hollywood Palace is an hour-long American television variety show that was broadcast weekly on ABC from January 4, 1964 to February 7, 1970. Originally titled The Saturday Night Hollywood Palace, it began as a mid-season replacement for The Jerry Lewis Show, another variety show which had lasted only three months. It was staged in Hollywood at the former Hollywood Playhouse on Vine Street, which was renamed The Hollywood Palace during the show's duration and is today known as Avalon Hollywood. A little-known starlet named Raquel Welch was cast during the first season as the "Billboard Girl", who placed the names of the acts on a placard.

The Kennedy Center Honors is an annual honor given to those in the performing arts for their lifetime of contributions to American culture.

The Julie Andrews Hour is a television variety series starring Julie Andrews that was produced by ATV and distributed by ITC Entertainment. It aired on the ABC network in the United States. In order to secure Andrews for the series, Sir Lew Grade and ABC offered her an extremely lucrative contract. In 1963, when another major star, Judy Garland was signed to a weekly television variety series, it failed to catch on with the public. One of the main reasons for its demise was its constant change of format and the fact that critics and audiences felt that Garland was not shown off to her best advantage. In order to avoid that error, Andrews asked producer Nick Vanoff what the premise of the show would be about. Vanoff immediately answered her by saying "Julie Andrews...without Julie Andrews there is no 'Julie Andrews Hour'". The show premiered on ABC Wednesday, September 13, 1972 at 10:00 P.M. ET to rave reviews. Unfortunately, its time slot proved to be daunting because it was up against the popular CBS detective series, Cannon. Another reason for the low ratings was that the lateness of the hour was not conducive to family viewing since children were in bed by that time. On Thanksgiving Eve, November 22, 1972, "The Julie Andrews Hour" devoted an entire episode saluting Walt Disney. To make it more of a "family special", ABC switched the time slot of "The Julie Andrews Hour" that night to 8:30 P.M. and The ABC Wednesday Movie Of The Week to 9:30 P.M. The ratings improved a little so ABC then made a decision to alternate Andrews' time period each week This continued until January, 1973 when the series was moved to Saturday nights at 9:00 P.M. The ratings went from bad to worse as Andrews' chief competition was The Mary Tyler Moore Show and The Bob Newhart Show on CBS. "The Julie Andrews Hour" was finally canceled by ABC after its 24th episode in April, 1973.

Samuel Fuller’s throat-grabbing exposé on American racism was misunderstood and withheld from release when it was made in the early eighties.Today, the notorious film is lauded for its daring metaphor and gripping pulp filmmaking. Kristy McNichol stars as a young actress who adopts a lost German shepherd, only to discover through a series of horrifying incidents that the dog has been trained to attack black people, and Paul Winfield plays the animal trainer who tries to cure him. A snarling, uncompromising vision, White Dog is a tragic portrait of the evil done by that most corruptible of all animals; the human being.

The dreary existence of middle-aged spinster Maura Prince takes an unexpected turn with the arrival of young handyman Billy Jarvis, but there may be more to him than meets the eye.

Julie Andrews joins John Denver, Placido Domingo, and The King's Singers for a Christmas journey through time in the city of Salzburg, Austria. Written and sang with many references to "Sound", the journey takes individuals to the many filming locations and haunts that are personal to the cast with music interludes along the way.

Bing emcees and performs in this special Christmas show packed with guest stars including the cast of Hogan's Heroes, a comedy dog, and more.

The first of Perry Como's Christmas specials includes appearances by Rich Little and figure skater Peggy Fleming as well as performances by the Carpenters and by Perry Como himself. Also featured a reenactment of the Birth of Jesus Christ.