Geraldo José

Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.

Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their four eldest daughters. The youngest one, virginal Silene, is unexpectedly sent back from boarding school after killing a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

Inspired by the life of one of the most famous policemen in the history of Brazil: detective Perpétuo de Freitas, immortalized in the annals of Brazilian criminal history for relentlessly pursuing and without the slightest assistance of the Rio police force one of the most wanted criminals in the country.

A woman runs away in the company of her daughter, the ultimate brat, in a journey full of bizarre events.

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

Toquinho is a young man living in Marechal Hermes, a poor neighborhood in Rio de Janeiro, together with his widow mother and a younger sister. Although he is poor, he is also ambitious, and wants to change his life. He spends all his time on the beach, at Arpoador, Ipanema, where he dreams to become a famous surfer. Besides, he usually finds Patricia there, a rich and liberated young woman, whom he likes a lot. To impress Patricia and satisfy some of her wishes, he lets himself be seduced by André, a gay guy who, in return for his sexual favors, promises him a trip to Hawaii for a surf championship.

Three young men from the beach neighborhood of Rio de Janeiro lead a carefree life, in spite of having no money. After meeting Denise, who presently turns out to be Dênis (a man), they start to learn some tricks and their lives begin to change.

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

In Buenos Aires, Frederico hides in a ship going to Rio de Janeiro to travel for free. But Azulão, the cook, finds him and blackmails him into working in the kitchen. Meanwhile, Alberto, the captain, receives a radio message saying that there was a dangerous international spy on board. Things get worse when some passports are mixed-up.

The friends Curió, Boroca (Dedé Santana), Mexelete and Bateia they venture in search of gold in the mine of Serra Pelada. The area is controlled by the foreigner Von Bermann, whose orders are executed by the bully Bira. Thirsty of being able to, the foreigner smuggles the gold and he wants to take possession of the lands of the Brazilian Ribamar, that refuses to do business before the son's arrival Chicão. With the help of the four dabblers, the boy struggles with the thieves and it helps the father in danger.

In Minas Gerais, the powerful "colonel" Alexandrão gets married with the young and virgin Cristina and promotes a huge wedding party in his farm. He eats and drinks a lot along the day, but in his "first night" with the bride, he dies before consummating his marriage. The marital status of Cristina becomes very unusual, being a virgin widow. Her doctor advises her to travel to Rio de Janeiro to rest, and she moves with her aunt to an inherited apartment in Leme. Once in Rio de Janeiro, the rascal Constantino, who is aware of her wealth, courts her and borrows money, clothes and a Mercedes Benz from his friends, pretending he is businessman man. His friends release "stocks" in a parallel stock market, based and supported in the expectation of the possible marriage of Constantino with Cristina. However, the ghost of Coronel Alexandrão appears for her whenever she intends to have sex with Constantino.

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

Four thieves enter a house and terrorize a family.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

In Bahia, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression, with tragic outcome.

In the island of Paquetá, professor investigates the genital vocation of vegetables and fruits, maintaining sexual relations with a watermelon. In his experiences, he counts on the interlocution of an attentive student.

In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

When a prominent U.S. Nobel Laureate arrives in Salvador, Bahia, the city with the largest black population in Brazil, he stirs emotions by championing a long-forgotten local writer named Pedro Archanjo, who believed that humanity would be improved only through miscegenation.