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Black Saddle is an American Western television series starring Peter Breck that aired 44 episodes on ABC from January 10, 1959 to May 6, 1960. The half-hour program was produced by Dick Powell's Four Star Television, and the original pilot was an episode of CBS's Dick Powell's Zane Grey Theater, with Chris Alcaide portraying the principal character, Clay Culhane. For syndicated reruns, Black Saddle was combined with three other Western series from the same company, Law of the Plainsman starring Michael Ansara, Johnny Ringo starring Don Durant and Mark Goddard, and the critically acclaimed creation of Sam Peckinpah, The Westerner with Brian Keith, under the umbrella title, The Westerners, with new hosting sequences by Keenan Wynn.
Johnny Ringo is an American Western television series starring Don Durant that aired on CBS from October 1, 1959, until June 30, 1960. It is loosely based on the life of the notorious gunfighter and outlaw Johnny Ringo, also known as John Peters Ringo or John B. Ringgold, who tangled with Wyatt Earp, Doc Holliday, and Buckskin Franklin Leslie.
Ensign O'Toole is a military comedy that aired on NBC from September 23, 1962, to May 5, 1963, with 31-year-old Dean Jones in the title role of a nonchalant United States Navy ensign during the early 1960s. Jones, born in 1931 in Alabama and a Navy veteran of the Korean War, played an officer aboard the fictional U.S. Navy destroyer USS Appleby, which roamed the Pacific Ocean.
The Westerner is an American Western series that aired on NBC from September to December 1960. Created by Sam Peckinpah, the series was produced by Four Star Television. The Westerner stars Brian Keith as Dave Blassingame and features John Dehner as semi-regular Burgundy Smith.
The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.
It's no accident when wealthy Charles falls for Jean. Jean is a con artist with her sights set on Charles' fortune. Matters complicate when Jean starts falling for her mark. When Charles suspects Jean is a gold digger, he dumps her. Jean, fixated on revenge and still pining for the millionaire, devises a plan to get back in Charles' life. With love and payback on her mind, she re-introduces herself to Charles, this time as an aristocrat named Lady Eve Sidwich.
Stage actress Valerie Stanton is locked in a bitter feud with her producer and ex Gordon Dunning. When he attempts to blackmail her into remaining under contract with his company, Stanton, in a fit of passion, clubs Dunning with a statuette, killing him. Her gloves have prevented fingerprints but her perfect alibi quickly unravels as Captain Danbury begins investigating.
It is the fate of a small frontier town, adjoining the no-man's-land where the Russians and Austrians are fighting out one of the final campaigns of World War I, to be occupied one day by the Russians, the next by the Austrians, and the inhabitants soon acquire a complacent view of the changing allegiances. To the town comes Ann Warschaska, intent on avenging the suicide of her sister, who has killed herself after being betrayed by an Austrian officer. She knows no more about his identity than the number of his room at the "Hotel Imperial".
A newspaper man uses a mobster's tips to get the scoop on gangster activities.
Near the end of the Civil War, the proud residents of Mannon Manor await the return of shipping tycoon Ezra Mannon and son Orin. Meanwhile Ezra’s conniving wife Christine and daughter Lavinia vie for the love of a handsome captain with a dark secret while well-meaning neighbor Peter sets his sights on Lavinia.
A young pacifist, after refusing on principle to defend her sweetheart's honor and being banished in disgrace, joins a riverboat troupe as a singer, acquires a reputation as a crackshot after a saloon brawl in which the villain of the piece accidentally kills himself with his own gun, falls in love with his former fianceé's sister and finally bullies an apprehensive family into accepting him.
Helen Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helen plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.
A proud, pro-capital punishment district attorney with a 90% execution rate, finds himself wrongly convicted of murdering his estranged wife and sentenced to die. The woman he loves and his investigator rival for her affections rally to find the real killer, while he is confronted by the misery of life on death row.
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Chet Kasedon is after the Indians hidden gold mine but Chief Moya will not reveal it's location. He has also hired mining engineers Gale and Mortimer to locate the mine. When Gale sees Kasedon's cruelty to Moya, he switches sides.
After saving himself from hanging, Laramie Nelson saves Tracks Williams from the same fate. They then travel to Lindsay's ranch where they get jobs. There they run into Adams who they learn is planning to rustle Lindsay's horses.
Hugh “Bulldog” Drummond is on the precipice of matrimony to his beloved Phyllis -- but a bank robbery and a daring escape is going to get in their way before they reach the altar.
Frances Farmer's second film is a typical B-programmer from the Paramount lot of 1936--up and coming stars (John Howard, Robert Cummings, Grant Withers, Farmer) in a concerning the Coast Guard and smugglers. The chief points of interest are the truly exceptional aerial sequences and Farmer's early performance.
