Production
The saga of a wealthy Denver family in the oil business: Blake Carrington, the patriarch; Krystle, his former secretary and wife; his children: Adam, lost in childhood after a kidnapping; Fallon, pampered and spoiled; Steven, openly gay; and Amanda, hidden from him by his ex-wife, the conniving Alexis. Most of the show features the conflict between 2 large corporations, Blake's Denver Carrington and Alexis' ColbyCo.
A family friend hires gumshoe John Chapman to find and reunite three sisters estranged by fate for 30 years. The circuitous trail leads Chapman from the Big Apple to Beantown to the City of Light. His investigation, however, opens the door to disturbing revelations about a forgotten past.
Kay Dillon, a successful modeling agent, meets the young and handsome ranch hand Tyler Burnett in Nevada. She can't help but notice his incredible good looks and invites him to move to New York and start working for her as a male model. Burnett accepts the invitation and goes to New York to start his modeling career. But Tyler longs for more in life: a woman to love and his own ranch. Can he remain the biggest male model in the industry, and still get his heart's desires? Is Kay the woman to give all that to him?
When Crystal Wyatt was 16 her father passed away. From that time her life would never be the same. Crystal is banished from the family ranch, and starts a new life as a singer in a San Francisco nightclub.
This documentary follows the concept of the groundbreaking 1974 movie Emmanuelle, through to its release, its cultural impact, and the large amount of sequels and impersonations.
Mike Connors is a suave gambler who owns a floating hotel/casino which takes a turn when the passengers are stalked by a saboteur during the casino ship's maiden voyage.
While jogging in New York Central Park, the rich widow Elena meets Eric. Although he's 10 years younger, she falls in love with him and they marry shortly after. Soon she discovers that he has a long-going affair with her secretary Claire. Elena suspects they're after her money.
