Christopher Sarson
Production
Known For

A group of older children do arts and crafts, cooking, science and technology, and games sent in by viewers.
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The First Churchills is a 1969 twelve-part BBC television serial starring John Neville as John Churchill, 1st Duke of Marlborough, and Susan Hampshire as his wife, Sarah Churchill, Duchess of Marlborough. Written and produced by Donald Wilson, and directed by David Giles, the series is notable as being the first programme shown on PBS's long-running Masterpiece series in the United States.
The First Churchills
Kids' Writes is an early program on the children's network Nickelodeon, running from 1982 to 1987. The main cast included Jim Mairs, Wynn White, Carlo Grossman, John Rousseau and Steve Rifkin. The cast wore similarly styled jumpsuits, each a different color. The premise of the show was that children would compose short stories and mail them to the actors. The best stories were then acted out on camera on a unique set. Before each story or song, its title was shown, along with the author's name and hometown. Stories portrayed on Kids' Writes would often involve typical child fantasies such as space flight, monsters, and children becoming heroes to "save the day". Some submissions became songs where Jim Mairs and Steve Riffkin wrote the music, mostly performed by Jim on guitar or piano.
Kids' Writes

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Fairy tales by the Brothers Grimm come to vivid life in this innovative production. Taking classic narrative stories — such as "The Golden Goose," "The Clever Gretel," "The Goose Girl," and "The Bremen Town Musicians" — Paul Sills eliminated the customary use of elaborate sets and costumes and relied instead on the transforming talents of his gifted actors. Utilizing gestures, mime, music, and the actors' own imaginations, he has created a fresh and unique theater piece to present these timeless tales.
Story Theatre

A stellar cast brings Puccini’s spellbinding opera to life, seizing every opportunity to thrill the audience. Luciano Pavarotti is Cavaradossi, the painter and political revolutionary in love with the beautiful and famous singer Tosca (the riveting Shirley Verrett). Rome’s diabolical chief of police, Baron Scarpia (Cornell MacNeil), wants Tosca for himself—but he underestimates the fury of a woman in love. With torture, murder, and a suicide in its final moments, Tosca packs more dramatic punches than most other operas—and this classic telecast captures them all. James Conlon conducts in a production by the incomparable Tito Gobbi, one of the great Scarpias of the 20th century.
Tosca
A film loosely based on the book by Karla Kuskin. A behind-the-scenes glimpse of an orchestra and its members in rehearsal. The conductor, Sir Neville Marriner, criticizes, cajoles and lectures while the guest soloist, young violinist Nicky Eanet prepares for his performance of the piece.
The Philharmonic Gets Dressed

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.
Don Pasquale

Seen only once in 1981, this is a live national broadcast of the 10th anniversary production of MASS. Directed for the stage by Tom O’Horgan of “Hair” fame, the cameras were directed by Emile Ardolino. The work that opened the Kennedy Center is conducted by John Mauceri and produced for PBS by WQED, Pittsburgh.
Leonard Bernstein's Mass
Piano Vladimir Horowitz in a televised recital from the White House on 26 January 1978, on the occasion of the 50th anniversary of his US debut, at the invitation of President & Mrs Carter. On the program, Chopin's Sonata #2 in B-flat minor, Waltzes in A minor and C-sharp minor, and Polonaise in A-flat, followed by encores by Schumann, Rachmaninoff, and Horowitz's own Carmen Variations.
Horowitz at the White House

On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge is now and he warns him to change his ways or face the consequences in the afterlife. Scrooge is visited by three spirits, representing his past, present and future, and, after seeing what they have to show him, must make a determination of how he will continue to live his life.