Gustaf Gründgens

A German television format in which Günter Gaus interviewed prominent members of German society, particularly politicians. More than 200 interviews were conducted over the course of 40 years.

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

A foreman’s son and his noble friend, who have voluntarily arrived from Berlin to help out with the harvest, switch their billeting coupons while on the journey, so as to play a trick on the estate owner, who is related to one of them. The wrong boy is asked to sit at the estate owner’s table, while the real relative is pushed off on the servants. And so begins a game of confusion with amusing results.

"The Century of the Theater" - From the "birth of the director" to the "heroes of modernity" - an overview of the world of theater - illuminates the interaction with the history of the past hundred years is also shown.

In 1957 Gustaf Gründgens staged a new production of Goethe's Faust in which he once again played Mephisto, a part he had played since 1932. The brilliant production was a huge success and ran for a couple of years. In 1959 Peter Gorski captured the performance on film in his directorial film debut. Basically it is a registration of the production, but Gorksi did manage to accentuate the details of the acting by using enough medium and close-up shots which give a view on the acting you normally would not able to see in a theater.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

France in the 15th Century: The country is marked by the wars with England and internal power struggles. King Charles sees himself powerless against the state. As emerges from the people suddenly a young woman named Johanna, who claimed that the Archangel Gabriel to be appointed, to save France. First of all doubt the king in their words, but he remembers that the people through this "help of God" is gaining new courage. With the slogan "God and the Virgin!" pulls the revivified victorious army into battle against the English-Burgundian alliance. After Johanna King Charles is crowned at Reims, there breaks the plague over the country in. Now Johanna all the blame on the disaster: God would punish believe in the country for that a heretic; if Johanna were actual a holy, she would deal also with the plague. The waning faith weakens France, England is again on the rise. But Johanna is executed as a witch. Only years later annulled the verdict of the Holy and Johanna explained.

As a gang of classy jewel thieves hop from one European country to another, an engineer rescues a woman from their clutches.

An anti-British propaganda film from Nazi Germany which depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.

The engineer MacAllan designs a tunnel, which will join America and Europe together on the seabed. A group of American billionaires are financing the gigantic project, but the construction of the tunnel is proving to be as tedious as it is dangerous. MacAllan's worst enemy is the speculator Woolf, who had embezzled the money for the construction and who is attempting to cover up his crime by carrying out acts of sabotage. Also filmed in 1933 in a French-language version, LE TUNNEL, and remade in 1935 in England as TRANSATLATIC TUNNEL.

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It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.

Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of an opera violinist. Baron Eggerdorff however soon hears of his past misfortune...

The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State’s debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke’s affairs, a series of frantic chases, plots and counter-plots begins…

Theodor Fontane's novel about a young girl who as a teenager marries a stiff bureaucrat, has a love affair out of boredom and loneliness and has to suffer the consequences years later should be well known.

This pre-WW II German costume drama chronicles the French Revolution with a particular focus upon Danton, Robespierre, and Marat. It depicts the dramatic downfall and execution of Georges Danton in 1794 at the hands of Maximilien Robespierre. The film also presents an interesting, if not historically inaccurate, portrayal of Louis XVI.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

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A painter working at the Louvre is struck by the Mona Lisa. When he meets a girl whom he believes bears a resemblance to the painting, and who wants him to become famous, he comes up with the idea of stealing the painting. Based on the real-life theft of 1911.

Paris, 1830: Jean-Gaspard Debureau performs on the stage and delights his audience with song, wit and charm. He is, however, very unpopular with King Charles X, who is the target of much of Debureau's scornful jests. That would be a somewhat tolerable situation if it weren't for the fact that Debureau has fallen for a countess, who happens to be the King's mistress.