Eduardo Gómez

In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.

Sydney Fox is a professor and globe-trotting "relic hunter" who looks for ancient artifacts to return to museums and/or the descendants of the original owner. She is aided by her linguistic assistant Nigel and occasionally by her somewhat air-headed secretary Claudia. She often ends up battling rival hunters seeking out artifacts for the money.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A caustic satire of many of the 'types' found in Spanish society.

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A popular and beautiful politician plans to expose the evil-doings of a multinational corporation. Hoping to silence her, the corporation's top executives decide to hire the most incompetent detective they can find to act as her bodyguard.

Almería, Tabernas desert, Spain, 2002. Texas Hollywood is a dilapidated and dusty town where Western movies have not been shot for decades. Julián Torralba and his partners, veteran film stuntmen, survive there, recreating pathetic action scenes for the pleasure of the few foreign tourists who visit the isolated region.

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

Large doses of humor, ingenious nods to Spain's most recent national cinema, an artistic cast highly linked to comedy and a high reserve of surprises constitute the ingredients of this crazy comedy: Spanish Movie.

After finding an enormous amount of money hidden in a dead man's apartment, real estate agent Julia must face the wrath of the very peculiar inhabitants of the apartment building, who will stop at nothing to get their hands on the money.

A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.

Entre lobos (Among Wolves) tells the remarkable story of a poor country boy named Marcos, who at the age of 7 is handed over to his father's employer, a rich landowner, who in turn delivers him to a life of labor with a hermetic goatherd in an isolated valley. The old man, who lives in a cave, is unused to human company and at first seems not very interested in having a live-in apprentice. The boy, who was abused by his parents, is frightened and equally aloof initially. Despite this, the shepherd begins teaching Marcos how to herd the goats, as well as how to care for himself and how to survive in the wilderness by trapping and fishing.

When a young boy finds a message from his late grandfather, his ordinary family discovers an extraordinary secret about themselves — and the universe.

Nino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows fast, as much as their fame.

Andrés, a dowdy Spaniard, goes to Paris on holiday, hoping to meet a pretty French girl. His wishes may come true after meeting Ninette, his landlord's sensual and possessive young daughter.

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Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?

This movie doesn't have any coherent plot. It's the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how they manage to survive in a country desolated by the war. Like other films: La colmena or Roma (Fellini) it shows us lots of characters and some moments of their lives.

Adolfo, a thirty something security guard, is going through a bad patch. Not only his lifetime girlfriend has just to finished with him to be a guy with no ambition but, moreover, he becomes the target of a series of thugs led by Vázquez, a dangerous criminal who has just escaped from jail. Also he discovers that his father has a double identity. He is not a farmer engaged in the production of cold meat – as Adolfo has believed all his life, but Anacleto, a secret agent who is a bit down and the man who locked Vázquez up in jail thirty years ago. Adolfo will have to leave his comfort zone and work with his father, the person that Adolfo get on worse with in the world to survive the revenge of Vazquez and while, between shootouts and chases, trying to get his girlfriend back.