Angela Browne

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

Roguish comedy drama following the misadventures of small-time crook Arthur Daley.

Jim Bergerac is a detective sergeant in The Foreigners Office who likes to do things his own way. While dealing with his own personal demons Bergerac has a knack of finding trouble, and sometimes causing it.

An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.

Sherlock Holmes uses his abilities to take on cases by private clients and those that the Scotland Yard are unable to solve, along with his friend Dr. Watson.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

Upstairs: the wealthy, aristocratic Bellamys. Downstairs: their loyal and lively servants. For nearly 30 years, they share a fashionable townhouse at 165 Eaton Place in London’s posh Belgravia neighborhood, surviving social change, political upheaval, scandals, and the horrors of the First World War.

After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.

Anthology series of dramatic works.

Drama 61-67 is anthology drama series which took a different title, based on year of transmission, each year. It alternated with Armchair Theatre from ABC in the Sunday evening slot. The series was described at the time as epitomising ATV drama.

Out of the Unknown is a British television science fiction anthology drama series, produced by the BBC and broadcast on BBC2 in four series between 1965 and 1971. Each episode was a dramatisation of a science fiction short story; some were created for the series, but most were adaptations of already published stories. The first three years were exclusively science fiction, but that genre was abandoned in the final year in favour of horror and fantasy. A number of episodes were wiped during the early 1970s, as was standard procedure at the time.

Armchair Mystery Theatre is a 60-minute United Kingdom television anthology mystery series. Thirty-four episodes aired from 1960-65. It was hosted by Donald Pleasence and produced by Leonard White.

Out of This World is a British science fiction anthology television series made by ABC Television and broadcast in 1962. A spin-off from the popular anthology series Armchair Theatre, each episode is introduced by actor Boris Karloff. Many episodes are adaptations of stories by sci-fi writers including Isaac Asimov, Philip K. Dick and Clifford D. Simak. The series is generally seen as a precursor to the BBC science fiction anthology Out of the Unknown.

Ghost Squad, known as G.S.5 for its third series, was a crime drama series about an elite division of Scotland Yard that ran between 1961 and 1964. Each episode the Ghost Squad would investigate cases that fell outside the scope of normal police work. Despite the show and characters being fictional, an actual division did exist within the Metropolitan Police Service at the time. Inspiration for the series was taken from a book of the same name, written by John Gosling — a retired police officer and former member of the team. Although the real-life squad only operated in London, the fictionalised team travelled internationally; however — as was typical of the time — most foreign locations were actually a combination of stock footage and sets at Independent Artists Studio at Beaconsfield and Elstree Studios. Music was by Philip Green. The show was produced by ITC Entertainment, along with Rank Organisation TV and ATV. It was the first ITC show filmed to fit the one hour time-slot — setting the trend for the majority of ITC's future output. Another common ITC trait was to feature an American, in this case Michael Quinn, in a leading role so as to increase the chances of international sales. At 6' 3", Quinn often towered over his co-workers. This was especially noticeable in the first series title sequence showing him walking through a crowd walking in the opposite direction. He frequently smoked in the show as did many others. The second series had a different title sequence and Neil Hallett sometimes replaced Quinn. Hallett looked more like a spy while Quinn looked a bit like a playboy. Quinn was replaced by Australian actor, Ray Barrett in the third series. Ray Austin played Billy Clay in and was also Stunt Director on all series bringing the action to life. Austin went on to become a renowned TV director in Hollywood and the UK.

Ria Parkinson is a bored housewife and mother. She spends her time daydreaming, and meets regularly with wealthy businessman Leonard to relieve the monotony. Husband Ben, a dentist and avid butterfly collector is oblivious to it all, and her unemployed grown up sons, who both live at home also have other things on their minds, especially girlfriends.

Detective Inspector Sam Harvey investigates intricate murder cases while contemplating retirement to pursue his passion for writing children's books.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

In Haven Hospital, a certain men's ward is causing more havoc than the whole hospital altogether. The formidable Matron's debut gives everyone a chill every time she walks past, with only Reckitt standing up to her. There's a colonel who's a constant nuisance, a bumbling nurse, a romance between Ted York and Nurse Denton, and Bell wants his bunion removed straight away, so after a couple of pints, the men decide to remove the bunion themselves!

After surviving a series of attempts on his life, successful businessman Lew Burnett decides to remain "dead" after the most recent one so he can go undercover and find out which of his close friends and business associates want him dead.