Róisín Murphy

Each week celebrity guests join Irish comedian Graham Norton to discuss what's being going on around the world that week. The guests poke fun and share their opinions on the main news stories. Graham is often joined by a band or artist to play the show out.

Never Mind the Buzzcocks is a comedy panel game show with a pop and rock music theme. The show is infamous for its dry, sarcastic humour and scathing, provocative attacks on the pop industry.

Jonathan Ross's take on current topics of conversation, guest interviews and live music from both a guest music group and the house band.

The iconic pop culture panel show featuring host Greg Davies, who is joined by regulars Noel Fielding & Jamali Maddix for music-themed mayhem.

Caught between two warring clans, the son of a notorious witch responsible for a deadly massacre tries to find his place in the world — and his powers.

Aided by her online network of friends, Lily Allen hosts a programme of music and chat. Each week she is joined by two celebrities and someone made famous on the internet.

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Wiz's Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

After a year of touring, Moloko had director Dick Carruthers film their final UK show of 2003 at the Brixton Academy on November 22nd. The result brilliantly captures the energy of Moloko's live performances.

A concert film bringing to a close the Róisín Machine era.

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Saterday 6 July 2024 The Barn 22u10 - 23u25

The unclassifiable Róisín Murphy shows how difficult it is to pigeonhole her once again at Paris' Ground Control, where she displays all the richness and eclecticism of a discography stretching back to the 90s.