Nina Feinberg

Four Southern Florida seniors share a house, their dreams, and a whole lot of cheesecake. Bright, promiscuous, clueless and hilarious, these lovely, mismatched ladies form the perfect circle of friends.

The Golden Palace begins where The Golden Girls had ended, in the quartet's now-sold Miami house. With Dorothy Zbornak having married and left in the previous series finale, the three remaining cast members (Dorothy's mother, Sophia Petrillo, Rose Nylund, and Blanche Devereaux) decide to invest in a Miami hotel that is up for sale. The hotel, however, is revealed to have been stripped of all of its personnel in an effort to appear more profitable, leaving only two employees: Roland Wilson, the hotel's manager, and Chuy Castillos, the hotel's chef. This requires the women to perform all the tasks of the hotel's staff.

A gifted high school student steals plutonium from the secret nuclear weapons facility in his home town in order to construct his own nuclear bomb, win a national science fair, and expose the government's secrets.

Jeremy is learning cello at an arts school in New York. At school he spots Susan, who practices for a ballet audition, and he falls in love.

Sigmund Freud's ghost advises a married New York psychiatrist in love with a patient.

A group of scientists take Simon, a psychology professor, as a test person for a brainwashing experiment and try to convince him that he is a living being from another planet.

The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.

Until now, Isa Kremer has almost been forgotten. This extraordinary documentary recounts her remarkable story through a wealth of archival footage and photos as well as interviews with family members, friends and performing artist peers. The film traces her earliest years in pre-Revolutionary Russia through an eventful personal and professional life in Europe, the United States and South America. This multi-faceted portrait of a complex, passionate woman transcends both borders and time and provides a true lesson about the power of the arts.