Kiri Te Kanawa

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

A chronicle of the lives of the aristocratic Crawley family and their servants in the post-Edwardian era—with great events in history having an effect on their lives and on the British social hierarchy.

Chat show hosted by Terry Wogan, featuring live studio interviews with famous and notable personalities.

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

Michael Parkinson returns for a second run of his iconic talk show.

Going Live! was a Saturday morning magazine show, broadcast on BBC1 between 1987 and 1993. It was presented by Phillip Schofield and Sarah Greene. Other presenters included Trevor and Simon, Peter Simon, Emma Forbes, and puppet Gordon the Gopher. The show was broadcast during the autumn to spring seasons, with other shows such as the 8:15 from Manchester and Parallel 9 taking over during the summer months. It was preceded by Saturday Superstore, and succeeded by Live & Kicking. In 1988, when the second series started, Greene was hurt in a helicopter crash with her then boyfriend, Mike Smith. Guest presenters stood in for her including T'Pau's Carol Decker. Similarly, in 1992-93 during the final series, Schofield was starring in Joseph and the Amazing Technicolor Dreamcoat and was unable to present the show. A third presenter took his place. Originally, Neighbours actor Kristian Schmid took the role but soon left after problems with his work permit. Various other celebrities to stand in included Shane Richie and Robbie Williams during his Take That days.

Live performance from the Metropolitan Opera, 31 December 1986.

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

British superstar composer Andrew Lloyd Webber is feted in this 50th birthday benefit gala produced by Lloyd Webber's own theatrical company at London's historic Royal Albert Hall. The tribute includes highlights from Lloyd Webber's blockbuster stage hits, including The Phantom of the Opera, Cats, Evita, and Sunset Boulevard. An eclectic performing cast filmed live during the event features Tina Arena, Michael Ball, Antonio Banderas, Boyzone, Sarah Brightman, Glenn Close, Julian Lloyd Webber, Marcus Lovett, Lottie Mayor, Dennis O'Neill, Donny Osmond, Elaine Paige, Ray Shell, Kiri Te Kanawa, and Bonnie Tyler

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

Noel's Saturday Roadshow is a BBC television light entertainment show which was broadcast live on Saturday evenings from 3 September 1988 to 15 December 1990. It was presented by Noel Edmonds, his first major TV project since the demise of The Late, Late Breakfast Show in 1986. The programme contained several elements which had been found in its predecessor, such as phone-in quizzes, celebrity interviews and bands performing in the studio. The premise for the new show was that unlike The Late Late Breakfast Show, which had been broadcast from the BBC's studios each week, the Roadshow would come from a new, different and exotic location each week. These 'locations' were in fact elaborate studio sets dressed to resemble each week's location, such as the North Pole, a space station, Hollywood, or Niagara Falls. The irony of this was not lost on Edmonds, whose self-deprecating presentation style frequently made light of the low budget production values. The programme was a slow-burning success, and following the third series in 1990, Edmonds' popularity and reputation were sufficiently re-established with the public for Edmonds to pitch Noel's House Party to the BBC. The show also introduced regular features such as the Gunge Tank, the "Gotcha Oscars" and "Wait 'Till I Get You Home", which would all be carried across and subsequently developed in Noel's House Party. Another item was "Clown Court", where a guest actor from a TV series would be on trial for all the bloopers made during the shooting of that show, such as Sylvester McCoy in the title role of Doctor Who, and Tony Robinson as his character of Baldrick in Blackadder the Third.

“The big ALL FUN show for the whole family to enjoy!” was the tagline for this musical comedy classic. Sir Howard Morrison (as himself) and Rotorua are the stars in the tiki-flavoured tale. Moving from Sydney to a Rotorua music festival the plot centres on a romance between a young drummer (Gary Wallace) and his girl Judy (Carmen Duncan) and the hurdles they face to stay true. But this is only an excuse for a melange of madcap, pep-filled musical fun. Made by John O’Shea’s Pacific Films, it features Kiri Te Kanawa, Lew Pryme and Aussie star Norman Rowe.

Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.

This tribute to James Levine, first shown on PBS, was only part of that glorious evening. Here we have the whole performance, up to three hours. I could not stop watching these discs. Let me say this much; Levine has done for the Met, making it the premier opera house in the world, what Karajan did with the Berlin, making it one of the finest orchestras ever. So sit back and enjoy.

"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.

A nightmare chase across the scenic splendor of a wild continent. David Manning, a young accountant, is unable to live within his income. He spends his spare time in Auckland with the young set - and his friends Sandra, Dorothy and Athol all like the outdoor life in the daytime and the bright lights at night. David finds himself in financial difficulties and leaves his job.

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

This evocative production by Giancarlo Del Monaco sumptuously captures the look and feel of 14th century Genoa and is a perfect compliment to Verdi’s setting of this story of searing conflict between public duty and private grief. Plácido Domingo is Gabriele Adorno, sworn enemy of the doge of Genoa, Simon Boccanegra (Vladimir Chernov). Gabriele is in love with the beautiful Amelia (Kiri Te Kanawa at her most affecting) who turns out to be none other than the long-lost daughter the doge. James Levine’s authoritative conducting of the Met orchestra and chorus reveals the dark power of Verdi’s score. Performed January 26th, 1995.