Alix Lambert

The story of the early days of Deadwood, South Dakota; woven around actual historic events with most of the main characters based on real people. Deadwood starts as a gold mining camp and gradually turns from a lawless wild-west community into an organized wild-west civilized town. The story focuses on the real-life characters Seth Bullock and Al Swearengen.

In Imperial Beach, California, the Yosts—a dysfunctional family of surfers—intersect with two new arrivals to the community: a dim-but-wealthy surfing enthusiast and man spurned by the Yosts years ago.

A raw, poetic self-portrait in which young, NYC-born Afro-Latina Rebeca “Beba” Huntt stares down historical, societal, and generational trauma.

Joba and Quincy are a wealthy Brooklyn couple who value charity above all. But when a friend returns from a country pilgrimage to challenge their bleeding hearts, they accept an invitation that will change their lives forever.

The fading art form and ‘language’ of Russian criminal tattoos, formerly a forbidden topic in Russia. The now vanishing practice is seen as reflecting the transition of the broader Russian society. Filmed in some of Russia’s most notorious prisons, including the fabled White Swan, the interviews with prisoners, guards, and criminologists reveal the secret language of “The Zone” and “The Code of Thieves” (Vor v zakone).

Mentor, Ohio: largely white, largely upper middle class, and listed as one of the Top 100 Places to Live in the United States. Its attraction for immigrants and others has proven to be a deadly illusion.

From 1997 to 2006, serial killer Ronald Dominique raped and killed twenty-three men in poverty- stricken Southeastern Louisiana. Difficulties in apprehending Dominique ranged from the underfunding of law enforcement to a lack of family advocacy for the victims, to the general distraction by other catastrophes such as Hurricane Katrina. Bayou Blue meditates on the decay of a community.

It doesn’t take a seasoned musician, engineer, or producer to marvel at The Edge of Daybreak and their sole record, Eyes of Love. Though rightly acclaimed for soulful melodies and passionate vocals, said record is ultimately infamous for having been recorded in one take at the Powhatan Correctional Center’s recreational area by a six-inmate group, each member — then serving sentences ranging between six and 60 years — whisked back to their cells as soon as they’d hit the last note on the final track. Alix Lambert’s (The Mark of Cain) new short film, The Edge of Daybreak, uncovers that peculiar history through archival materials, interviews with Jon Kirby (of the album’s current home, Numero Group) and Daybreak’s keyboardist and vocalist James Carrington, and sounds from Eyes of Love itself.

Beverly Morris tells of her ongoing struggle to hold on to the most contested object in her divorce — the Tiffany lamp, in this animated short.