Driss Roukhe

Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.

Arn has to endure so much before he can get the love of his life Cecilie, who has been put away in a monastery.

During the U.S.-led occupation of Baghdad in 2003, Chief Warrant Officer Roy Miller and his team of Army inspectors are dispatched to find weapons of mass destruction believed to be stockpiled in the Iraqi desert. Rocketing from one booby-trapped and treacherous site to the next, the men search for deadly chemical agents but stumble instead upon an elaborate cover-up that threatens to invert the purpose of their mission.

When an Egyptian terrorism suspect "disappears" on a flight from Africa to Washington DC, his American wife and a CIA analyst find themselves caught up in a struggle to secure his release from a secret detention facility somewhere outside the US.

On the Arabian Peninsula in the 1930s, two warring leaders come face to face. The victorious Nesib, Emir of Hobeika, lays down his peace terms to rival Amar, Sultan of Salmaah. The two men agree that neither can lay claim to the area of no man’s land between them called The Yellow Belt. In return, Nesib adopts Amar’s two boys Saleeh and Auda as a guarantee against invasion. Twelve years later, Saleeh and Auda have grown into young men. Saleeh, the warrior, itches to escape his gilded cage and return to his father’s land. Auda cares only for books and the pursuit of knowledge. One day, their adopted father Nesib is visited by an American from Texas. He tells the Emir that his land is blessed with oil and promises him riches beyond his wildest imagination. Nesib imagines a realm of infinite possibility, a kingdom with roads, schools and hospitals all paid for by the black gold beneath the barren sand. There is only one problem. The precious oil is located in the Yellow Belt.

Four sisters reveal their secrets and express their ambitions, and depict their tense relationship with a domineering and assertive mother, where the desire for freedom and the search for the “savior” man

In France, terrorist groups and intelligence agencies battle in a merciless war everyday, in the name of radically opposed ideologies. Yet, terrorist and secret agents lead almost the same lives. Condemned to secrecy, these masters of manipulation follow the same methods. Alex and Al Barad are two of them. The former is the head of the D.G.S.E.'s (Direction Générale de la Sécurité Extérieure, the French equivalent of the CIA or the MI6) counter-terrorism unit while the latter reigns over a terrorist network, and both fight using the most ruthless of weapons: human beings.

Swedish intelligence officer Carl Hamilton's 7-year-old goddaughter Nathalie is kidnapped. When the kidnapping's underlying motive becomes known, the Swedish authorities assume a passive role, forcing Hamilton to action. With the help of international contacts, Hamilton manages to get them on track. Hamilton, along with some military colleagues, plans a daring rescue mission.

The making of Alejandro González Iñárritu’s Babel is chronicled through an observational approach that captures the creative and logistical challenges of filming a deeply interconnected narrative across four continents. Directed by Carlos Armella and Pedro González-Rubio, the documentary reveals Iñárritu’s commitment to authenticity and cultural sensitivity, from collaborating with local actors and communities to meticulously recreating environments. Through behind-the-scenes footage and the director’s reflective commentary, it delves into themes of human connection, the boundaries we hold within ourselves, and the visceral nature of communication, offering profound insights into the philosophy behind the acclaimed film.

The first U.S.-made film drama set during the Iraq war, THE SITUATION chronicles the tragic death of an Iraqi teenager at the hands of U.S. soldiers. The incident sets off an "investigation," a cover-up, and complications involving Iraqi mayor Sheikh Tahsin (Saïd Amadis), who has a complex relationship with the Americans.

The story chronicles the arduous journey of the rural girl Mariam who struggles in order to fulfill her dream of becoming a famous singer.

The series revolves around three women who develop a friendship in prison and their personal struggles after leaving it.

No description available.

A Moroccan-Norwegian co-production about the dark side of Casablanca (Casanegra). In a country where good virtues are the norm in public, Casanegra shows the vices: domestic violence, alcohol abuse and drug abuse. Meet Karim and Adil and their struggle in the big city.

Le Regard is Nour-Eddine Lakhmari's first film. It is a film about abuse of power, guilt, and redemption. In Le Regard, 70-year-old French photographer Albert Tueis finds himself confronted with his past. As he prepares for an exhibition that will bring together all the works from his photographic career, he remembers the photos he took at the age of 19. A soldier during Morocco's war of independence, the young Albert was a photographer for the French army. The photos he took at the time were never published. One thing is clear: without these photos, the retrospective of his career will not be complete. Albert Tuies decides to return to Morocco to find the negatives he buried there. But he finds himself confronted with a new Morocco. And as he encounters the present and the rivalries and difficulties it hides, increasingly powerful and brutal images from the past resurface.

Malika, a punk rocker, agrees to smuggle drugs to save her family from eviction and fund her band's studio time, but her mission becomes complicated when she decides to help her fellow mule, Amal, escape.

Zineb is a psychiatrist assigned to Rihana, a traumatized and pregnant young woman, who was raised as a son by her dictatorial father. Rihana's story awakens repressed thoughts in Zineb's own mind.

BurnOut is a film about the grinding down of hope by the contradictory values and morals of Moroccan society and how a mere chance encounter can throw everything that is taken for granted as normal and correct into question once one has glimpsed the possibility of the love and companionship that lies just beyond the walls of the Moroccan society. A shoe shiner Ayoub, a bourgeois couple, Jad and Ines in a loveless marriage, a wealthy but ailing art collector, and a young medical student Aida moonlighting as an escort, each interaction forever changing them and setting them on an irreversible trajectory towards catharsis or total collapse.

The Green March is a film where the destinies of a handful of men and women intertwine, all united by the common goal of peacefully fighting for the freedom of a colonized territory, driven by the same dream: to contribute to the construction of modern Morocco. It is also the story of Zhor, who risked her life 40 years ago to bring her child into the world on the land of occupied Moroccan Sahara.

In the Medina of Casablanca, Thami, a young man from a conservative family with a lineage of honourable Koranic lawyers, incenses his father as he decides to enter the profession of butchery. Whilst handling the meats, he soon discovers another taboo passion: women and love. “Love in the Medina” is about a journey of initiation, a quest for freedom and Thami’s revolution of romance in ever-changing Morocco.