George Hall

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.

Sunday Night Theatre was a long-running series of televised live television plays screened by BBC Television from early 1950 until 1959. The productions for the first five years or so of the run were re-staged live the following Thursday, partly because of technical limitations in this era, and the theatrical basis of early television drama. Some of the earliest collaborations between Rudolph Cartier and Nigel Neale were produced for this series, including Arrow to the Heart and Nineteen Eighty-Four. The Sunday night drama slot was subsequently renamed The Sunday-Night Play which ran for four seasons between 1960 and 1963. ITV transmitted its own unrelated run of Sunday Night Theatre between 1971 and 1974.

At the dawn of the 20th century, Indiana Jones discovered the world. From globetrotting family expeditions as a 9-year-old to the battlefields of World War I as a teenager, Indy’s experiences shaped the heroic, whip-cracking archaeologist he would become. At every turn, Indy encounters history in the making, meeting true-life activists, soldiers, writers, artists, and thinkers who helped influence the world we live in today.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

The personal and professional lives of the staff of fictional Pittsburgh radio station WENN in the early 1940s, before and during World War II.

DuPont Show of the Month is an acclaimed 90-minute television anthology series that aired monthly on CBS from 1957 to 1961. The DuPont Company also sponsored a weekly half-hour anthology drama series hosted by June Allyson, The DuPont Show with June Allyson. During the Golden Age of Television, DuPont Show of the Month was one of numerous anthology series telecast between 1949 and 1962. Superficially, it resembled Playhouse 90 and other anthologies, but DuPont Show of the Month focused less on contemporary dramas and more on adaptations of literary classics, including Oliver Twist, The Prince and the Pauper, Billy Budd, The Prisoner of Zenda, A Tale of Two Cities and The Count of Monte Cristo.

A lazy law school grad adopts a kid to impress his girlfriend, but everything doesn't go as planned. Now he's forced to grow up while navigating the challenges of fatherhood.

It's recruiting time and despite being short and scrawny, Johnny Walker is America's hottest young football prospect. His dilemma: should he take one of the many offers from college talent scouts or should he attend the local state college with his girlfriend and give up his football career?

When Queen Victoria's husband Prince Albert dies, she finds solace in her trusted servant, Mr. John Brown. But their relationship also brings scandal and turmoil to the monarchy.

Julie Andrews was nominated for an Emmy for portraying the titular scullery maid who finds true love with a prince in this legendary adaptation of one of the most famous fairy tales of all time. A musical, made-for-television, with music by Richard Rodgers and book and lyrics by Oscar Hammerstein II, it is the only of the legendary composing team's musicals created specifically for that medium. It was originally broadcast live on CBS on March 31, 1957, and was a phenomenal success, viewed by more than 107 million people. Though it originally aired in full color, only a black & white kinescope of the production has survived.

Indy finds that he must enlist the help of Hapsburg royalty when he embarks on a dangerous diplomatic mission through enemy-held Europe into the palace of Emperor Karl of Austria. Endangering his life and the lives of his royal charges, Indy gambles all in a desperate attempt to bring the war more quickly to an end. Then, in chaos-ridden Russia, Indy finds his espionage work once again threatening lives when he infiltrates a group of young Bolsheviks and begins to empathize with their plight. As the country lurches toward revolution, Indy finds himself torn between loyalty to his friends and his military duty.

Apprentice lawyer Robin Weathers turns a civil suit into a headline grabbing charade. He must reexamine his scruples after his shenanigans win him a promotion in his firm, and he must now defend a college professor who is appearantly guilty of murder.

Three modern-day pilgrims investigate a bizarre crime in a small town while on their way to Canterbury.

Cole Porter's version of the story of Aladdin--his only musical written especially for television.

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