Acting
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Kisan Kanya is a 1937 Indian Hindi-language film directed by Moti Gidwani and produced by Ardeshir Irani under the banner of Imperial Pictures. Made using Cinecolor, the film is based on a novel by Saadat Hasan Manto that highlights the struggles of poor farmers. The film is historically significant as India’s first indigenously made colour film. While V. Shantaram's Sairandhri (1933) featured scenes in colour, it was processed and printed in Germany, distinguishing Kisan Kanya as the first colour film entirely produced within India.
The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.
A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.
A tale of two sisters caught in an Aristotelian turn of fate.
A middle-aged bank clerk happens on a stone with alchemical properties, allowing him to turn steel into gold.
This film is based on the Indian Mythological love story of Radha and Krishna.
Daktar Babu was a 1958 Bengali film produced by Movie Screen Limited and directed by Bishu Dasgupta. The film's story was written by Bijan Bhattacharjee and the script was written by Pranab Ray. The film starred Uttam Kumar and Sabitri Chattopadhyay and featured music composed by Rajen Sarkar.
Montu, an unemployed middle-class bachelor falls in love with Sarasi, a teacher. He tries hard to impress Sarasi but she dislikes his unstable lifestyle and rejects him. Will the two unite?
A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.
Jayanta Chowdhury, a ground engineer, is gravely injured and is received by his fiancé, Kuntala who takes care of him. However, Jayanta is not at peace as he suspects a conspiracy. He returns to Kolkata, much to Kuntala’s dismay, and starts following another ground engineer Sandeep Mukherjee, who he believes has betrayed his employer. Jayanta gets together with the Intelligence Officer Ranjit Mitra and traces Sandeep’s whereabouts. Sandeep is actually involved with the criminals Krishn Chand and Abdullah who force him to plant a bomb on an international flight. Sandeep, rather unwillingly, gives in as he needs money to treat his handicapped younger brother. Although he loves a girl named Ruby, he is unable to marry her for the same reason. Jayanta takes up the name of Arun Roy and befriends Sandeep to learn more about him. And the plot thickens.
A rich young man woos proud girl against her father's wishes.
Khoka is a schoolboy who goes to his uncle's house, where he learns about the tales of Padi Pishi (Aunt Padi), a formidable widow. She had once gone to Khuro's house to meet him, but bandits attacked her. When Khuro got to know about it, he offered her bribes from his loot so that the news would not be public. Padi Pishi then took a precious Burmese box that was hidden in Khuro's house. Before Padi's Pishi's death, she did not reveal the hiding place to anyone except her son Goja. The entire family searched for the missing box but could not recover it. A private detective also searched for the box but could not find it. The story is about how it is finally discovered. Padi Pishir Barmi Baksha is an Indian Bengali adventure comedy film directed by Arundhati Devi. It is based on the children's novel of the same name by Leela Majumdar.
Arun begins hating Kavita when he loses his scholarship due to a misunderstanding with her. But after his new fiancé asks Kavita to write Arun letters on her behalf, Kavita falls in love with him. An accident intertwines their futures.
A 1973 Bengali Drama Film directed by Ajit Gangopadhyay.
No description available.
Three orphans Arun, Barun and Kiranmala set out to search for their parents. While doing so, they face many challenges but receive help from the fairy spirits.
Another attempt at ghosts and reincarnation. The Court singer's foster grandson, Baiji Kamala's son (Shankar) arrives one day at the court and is exactly a replica of the prince (Rudra). Ali knows he is the illegitimate son of the King. Despite being aware of the facts, both become fast friends, and Rudra takes it upon himself to protect Shankar. Queen Padmavati (Dipti) tries to poison Shankar, killing the King Pratap instead. Shankar grows up to be a stereotype, drunkard, and pleasure-loving, and Shankar is the moderator. In childhood, Dewan's daughter Ranjita betrothed Rudra, preferred Shankar and finally married him. Rudra can't bear it and is out to kill Shankar. Will he succeed? If he does then?
Social comedy about two young newlyweds against the backdrop of pre-Independence Bengal.
Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.
