Acting
The New Avengers is a British secret agent fantasy adventure television series broadcast during 1976 and 1977. It is a sequel to the 1960s series The Avengers and was developed by Albert Fennell and Brian Clemens. A joint United Kingdom-France-Canada production, the show picks up the adventures of John Steed and his team of Avengers fighting evil plots and world domination. Whereas in the original series Steed had almost always been partnered with a woman, in the new series he had two partners: Mike Gambit, a top agent, crack marksman and trained martial artist, and Purdey, a former trainee with The Royal Ballet who was an amalgam of many of the best talents from Steed's previous female partners.
Shillingbury Tales is a 1980–81 British sitcom produced by Associated Television for ITV. Comprising a single feature length pilot and six one-hour episodes, the series deals with life in an idealised fictional English village and stars Robin Nedwell, Diane Keen, Nigel Lambert, Jack Douglas, John Le Mesurier, Bernard Cribbins and Trevor Howard. The series was written by Francis Essex and directed by Val Guest. Unusual for the time, it was shot entirely on location in the village of Aldbury in Hertfordshire on 16mm and consequently there was no laugh track. The show ended when ATV lost their licence to broadcast and their replacement Central declined to continue production.
It happens in almost everyone's life. There is a special day - a day of unusual significance. A turning point in life, perhaps in career, romance or fortune; a day to remember. This anthology of plays, each as individual as the people and events portrayed, looks at seven such Red Letter Days.
Come Back Mrs. Noah is a British sitcom that aired on BBC1 from 1977 to 1978. Starring Mollie Sugden and Ian Lavender, it was written by Jeremy Lloyd and David Croft, who had also written Are You Being Served?, which had also starred Mollie Sugden. Joke banter was recycled from other series, and outrageously strange props were used. Come Back Mrs Noah was not a success, with some regarding it as one of the worst British sitcoms ever made.
Harry Webster (David Lyon) is an apparently normal husband and father who resides in contemporary Nottingham, England, which was once host to a flourishing textile industry. One day, Harry leaves his house and vanishes. A note he left behind alludes to a double life he no longer wishes to lead. His wife Liz (Annette Crosbie) conducts a search for her husband. Her findings raise a disturbing question: Did Harry have anything to do with a series of recent factory bombings?
Julie Walters stars as a single mother seemingly haunted by a sinister telephone system that seems to have become an evil intelligence in its own right.
A small English village is in turmoil with the arrival of a pop star and his wife. He soon becomes the conductor of the local brass band after the previous conductor is criticized for the false notes played by the brass band.
A film extra has won a chance for the big break in his career. He has two crucial lines in a television film, but nothing goes according to plan.
