Flávio Bauraqui

In the past, as Adalberto Rangel, he met and seduced Maria Paula. With a calculated coldheart, he married her, stole her fortune, then abandoned her, unaware she was pregnant at the time. Ten years later, accompanied by her son Renato, Maria Paula plots to recover her dignity and to find justice by getting revenge against the indignities done to her.

The search for a successor provokes the beginning of a clash between two young and talented executives of his group: Daniel Bastos, a lad of simple origins and excellent character, who is not only handsome and charming, but also intelligent and skilled, and Olavo Novaes, an ambitious and unscrupulous man who is ready to fight for the position, at any cost. To fight against Olavo‘s treacherous plans, Daniel will have the help of the sweet and sensitive Paula, a young lady raised as an only child who founds, on the eve of her mother‘s death, that she is adopted and has a family. What Paula does not know is that she has an identical twin sister, the wicked Taís, who is as ambitious and unscrupulous as the man who becomes her main ally, Olavo Novaes. Antenor, for his part, decides on having an heir when he meets the headstrong and honest Lúcia, a woman who will make this cold businessman find true love is and a real reason to live.

When her husband is killed in a land grabbing attempt, Aline takes charge of cultivating his land and protecting his family. Facing the powerful Antonio La Selva, responsible for the death of her husband and the largest landowner in the region, Aline is determined to keep possession of her land and invest in its production. However, she didn't expect that she would fall in love with Daniel, son of her rival, who is at odds with his rebellious half-brother, Caio, who, in turn, also falls in love with the girl. In the interior of Brazil, Aline will have to fight two battles: the dispute for her lands and for her heart.

Amor Eterno Amor is a Brazilian telenovela produced by Rede Globo and exhibited in the schedule of 18 hours. Written by Elizabeth Jhin and directed by Roberta Richards, Fábio Strazzer, Luciana Oliveira Paulo Ghelli, Pedro Vasconcelos and Rogério Gomes, it was released on March 5, 2012, ending on September, 7 of the same year, replacing A Vida da Gente.

Mikhael is a sergeant in charge of BOPE, always on dangerous missions in Rio de Janeiro. But after getting involved in a controversial operation that culminated to a slaughter, he is transferred to a police unit at the state countryside.

The colorful village of Santa Fé frequently has its peace disturbed by the conflicts between Colonel Epa and Pedro Falcão, an honest man involved in the city's politics.

After the breakthrough success of 'The Cariocas', the spin-off 'The Brazilians - The Women' embraces all the diversity of Brazil and its women. Powerful, fragile, funny, protective, beautiful, talented, insightful, and especially unique; they all have a certain charm. No matter what their birthplace, age, lifestyle or preference, these remarkable women have one thing in common: they are Brazilian. Brilliantly witty and entertaining, every independent episode provides an exclusive look at the life experiences of the women who inspire everyone.

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"The Cariocas", a series in ten stand-alone episodes, tells the story of ten modern-day women against the beautiful backdrop of Rio de Janeiro and its stunning urban landscapes. Our protagonists are uninhibited, adulterous, vindictive, suicidal, envious, brides, betrayed, deluded. Women with distinct beauty and quaint peculiarities, each one has a particular way of life.

'Second Call' focuses on the resilience stories of teachers and students in a complex public education system. After some time off from teaching, Lúcia Helena returns to the classroom, now giving night classes to teenagers and adults. Along with other three teachers and the principal, she faces institutional adversities and the lack of appreciation without flinching. The conflicts involve both the faculty and the student body and, in this scenario, Education emerges as a hope, reminding everyone that it is never too late to have a second chance.

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Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

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A retired cop becomes the prime suspect in the murder of a prostitute.

Reinaldo's wife is in a vegetative state, bringing him to decide to euthanize her to end her suffering. However, as if by a miracle, she wakes up. Reinaldo did not know it, but he was being filmed at the time. Samuel, a failed pastor, offers Reinaldo — now drowning in medical debt — money to be a preacher, sending the atheist Reinaldo down a strange and unlikely path to become a religious leader.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

Covering the last years of the famous Brazilian fashion designer in her doomed quest for justice, Zuzu Angel follows the case of her activist son Stuart's arrest, torture, murder, and subsequent corpse disposal by the military forces in early 1970s Rio de Janeiro, during the darkest era of Brazilian military regime and media censorship.

The trajectory of Antônio Carlos Bernardes Gomes, known as Mussum, from Trapalhões. His poor childhood, his military career, his relationship with Mangueira and his success with the group Originais do Samba, as well as behind the scenes as a member of Trapalhões.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.