Dennis Vance

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

ITV Playhouse is a British comedy-drama TV series that ran from 1967 to 1983, which featured contributions from playwrights such as Dennis Potter, Rhys Adrian and Alan Sharp. The series began in black and white, but was later shot in colour and was produced by various companies for the ITV network, a format that would inspire Dramarama. Actors appearing in the series included Leslie Anderson, Gwen Nelson, Ricky Alleyne, Pat Heywood, Michael Elphick, Ian Hendry, Edward Woodward, Margaret Lockwood, Jessie Matthews and Lloyd Peters.

Thriller is a British television series, originally broadcast in the UK from 1973 to 1976. It is an anthology series: each episode has a self-contained story and its own cast. As the title suggests, each story is a thriller of some variety, from tales of the supernatural to down-to-earth whodunits.

Drama 61-67 is anthology drama series which took a different title, based on year of transmission, each year. It alternated with Armchair Theatre from ABC in the Sunday evening slot. The series was described at the time as epitomising ATV drama.

Public Eye is a British television drama broadcast from 1965 to 1975 on ITV1. Produced by ABC Television for three series, and Thames Television for a further four, the programme follows the investigations and cases handled by the unglamourous enquiry agent Frank Marker.

Van der Valk is a British television series that was produced by Thames Television for the ITV network. It starred Barry Foster in the title role as Dutch detective Commissaris "Piet" van der Valk. Based on the characters and atmosphere of the novels of Nicolas Freeling, the first series was shown in 1972.

An anthology series produced by Thames Television, comprised of short mystery, suspense or crime adaptations featuring, as the title suggests, detectives who were literary contemporaries of Arthur Conan Doyle's Sherlock Holmes.

The Count of Monte Cristo was a 1956 ITC Entertainment/TPA television series adapted very loosely from the novel by Alexandre Dumas, adapted by Sidney Marshall. It premiered in the UK in early 1956 and ran for 39 thirty-minute episodes. The first twelve episodes were filmed in the United States, at the Hal Roach studios, with the rest being filmed at ITC's traditional home of Elstree. A 5-disc DVD set containing all thirty-nine episodes was released by Network Studio on 12 April 2010. ITC produced a film based on the same source-material, The Count of Monte-Cristo, in 1975.

Armchair Mystery Theatre is a 60-minute United Kingdom television anthology mystery series. Thirty-four episodes aired from 1960-65. It was hosted by Donald Pleasence and produced by Leonard White.

The second collection of short stories written by Baroness Orczy about the gallant English hero, the Scarlet Pimpernel and his League.

The Power Game is an ITV drama spin-off from The Plane Makers (1963–65), created by Wilfred Greatorex. Broadcast for three 13-episode series, Patrick Wymark reprised his role as Sir John Wilder, who here ruthlessly pursues boardroom machinations and tangled relationships.

Special Branch is a British police drama centred on members of the Special Branch anti-espionage and anti-terrorist department of the London Metropolitan Police.

Ghost Squad, known as G.S.5 for its third series, was a crime drama series about an elite division of Scotland Yard that ran between 1961 and 1964. Each episode the Ghost Squad would investigate cases that fell outside the scope of normal police work. Despite the show and characters being fictional, an actual division did exist within the Metropolitan Police Service at the time. Inspiration for the series was taken from a book of the same name, written by John Gosling — a retired police officer and former member of the team. Although the real-life squad only operated in London, the fictionalised team travelled internationally; however — as was typical of the time — most foreign locations were actually a combination of stock footage and sets at Independent Artists Studio at Beaconsfield and Elstree Studios. Music was by Philip Green. The show was produced by ITC Entertainment, along with Rank Organisation TV and ATV. It was the first ITC show filmed to fit the one hour time-slot — setting the trend for the majority of ITC's future output. Another common ITC trait was to feature an American, in this case Michael Quinn, in a leading role so as to increase the chances of international sales. At 6' 3", Quinn often towered over his co-workers. This was especially noticeable in the first series title sequence showing him walking through a crowd walking in the opposite direction. He frequently smoked in the show as did many others. The second series had a different title sequence and Neil Hallett sometimes replaced Quinn. Hallett looked more like a spy while Quinn looked a bit like a playboy. Quinn was replaced by Australian actor, Ray Barrett in the third series. Ray Austin played Billy Clay in and was also Stunt Director on all series bringing the action to life. Austin went on to become a renowned TV director in Hollywood and the UK.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

The Misfit is an ATV sitcom created by Roy Clarke, broadcast from 1970 to 1971 on ITV. Basil Allenby-Johnson returns from Colonial Malaya to an England just emerging from the swinging sixties, a home he no longer recognises.

The Mind of Mr. J.G. Reeder is based on a character created by Edgar Wallace in a series of 1925 short stories of the same name, Hugh Burden played the titular character – A mild-mannered investigator with the Department of Public Prosecutions.

A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.

Sophie Dorothea is a young woman forced into a loveless marriage with Prince George Louis of Hanover. George Louis is later crowned King George I of England. Despairing of ever experiencing true love, the depressed queen finds life at court no solace. Sophie then falls for a dashing Swedish soldier of fortune, Count Konigsmark.

The true story of the British explorer Robert Falcon Scott and his ill-fated expedition to try to be the first man to discover the South Pole - only to find that the murderously cold weather and a rival team of Norwegian explorers conspire against him

The program, deftly taped on a studio sountstage simulating the cobbled streets, stately, facadest colorful produce and quaint shops of the Drury Lane Theater, area in London, is linked to the atmosphere and history of the famous old showcase. Miss Andrews and the two Americans cavort in some very funny slapstick, including a “Cinderella” take‐off of traditional English pantomime. Even a tender, dramatic vignette, with Miss Andrews and Mr. Van Dyke in a fogshrouded meeting during World War II, Works appealingly. The songs flow almost continuously, enhanced by the muscular leaping of the Paddy Stone Dancers, clad as Covent Garden street workers. The ensemble finale is dandy, with a cavalcade of excerpts of songs from American hits at the Drury Lane, from “Rose Marie” to “Hello, Dolly!” Miss Andrews sings as beautifully as ever. Blake Edwards produced, Dennis Vance directed, and Marty Farrell, Frank Waldman and Dick Hills wrote the program.