Acting
In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.
A modern-day drama about a crime-solving duo that cracks the NYPD's most impossible cases. Following his fall from grace in London and a stint in rehab, eccentric Sherlock escapes to Manhattan where his wealthy father forces him to live with his worst nightmare - a sober companion, Dr. Watson.
The third installment of the “Law & Order” franchise takes viewers deep into the minds of its criminals while following the intense psychological approaches the Major Case Squad uses to solve its crimes.
The new medical director breaks the rules to heal the system at America's oldest public hospital. Max Goodwin sets out to tear up the bureaucracy and provide exceptional care, but the doctors and staff are not so sure he can succeed. They've heard this before. Not taking "no" for an answer, Dr. Goodwin's instinctive response to problems large and small is four simple words: "How can I help?" He has to disrupt the status quo and prove he'll stop at nothing to breathe new life into this underfunded and underappreciated hospital, returning it to the glory that put it on the map.
St. Elsewhere is an American medical drama television series that originally ran on NBC from October 26, 1982 to May 25, 1988. The series starred Ed Flanders, Norman Lloyd and William Daniels as teaching doctors at a lightly-regarded Boston hospital who gave interns a promising future in making critical medical and life decisions.
Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.
Emily Dickinson. Poet. Daughter. Total rebel. In this coming-of-age story, Emily’s determined to become the world's greatest poet.
Celebrating the beauty and heartbreak of the Broadway theater, following a cross section of dreamers and schemers who all have one common desire - to be a "Smash."
In the wake of the Coronavirus pandemic and theatres across the world closing their curtains indefinitely, SiriusXM host Seth Rudetsky and his husband, producer James Wesley have created Stars in the House, a daily live streamed series to support The Actors Fund and its services.
Mystery and suspense series based on Robert Parker's "Spenser" novels. Spenser, a private investigator living in Boston, gets involved in a new murder mystery each episode.
Models Inc. is an American prime time soap opera that aired on the Fox television network during the 1994-1995 television season. It is the third series in the Beverly Hills, 90210 franchise. The series was created by Charles Pratt, Jr. and Frank South, and executive produced by Aaron Spelling, Charles Pratt, Jr., Frank South, and E. Duke Vincent.
Matt Burton may have met his match when his widowed mother begins dating their new neighbor Norman who's wise to Matt's schemes and attempts to foil every one of them hoping to set his would be stepson on the straight and narrow. IT'S YOUR MOVE is an American sitcom starring Jason Bateman, Tricia Cast, Caren Kaye, Ernie Sabella, David Garrison, and Garrett Morris. The show originally aired on NBC from 1984 to 1985.
Hi Honey, I'm Home! is an American television sitcom that ran from July 19, 1991, to July 12, 1992 for 13 episodes. Each week, a new episode of the series aired on ABC as part of its Friday night TGIF lineup. The same episode would re-air Sunday night on Nickelodeon as part of the channel's Nick at Nite lineup. ABC stopped airing the series after the sixth episode of the first season. The show's second season only aired on Nick at Nite before being cancelled in July 1992. The series was taped before a live audience in Nickelodeon Studios at Universal Studios Florida.
Two hopelessly out of their class con-men attempt to pull off the largest bank heist of the 19th century — by gaining the enmity of the most famous bank robber in the world and the affection of a crusading newspaperwoman.
In the early 1920s, a Kansas woman finds her life forever changed when she accompanies a young dancer on her fame-seeking journey to New York City.
On Sept. 28, 1998, some of the greatest divas in musical theater -- including Marin Mazzie, Judy Kuhn and Audra McDonald -- took the stage at New York City's Carnegie Hall to belt out songs that made them famous. Julie Andrews hosted the event. Showstoppers include Liza Minnelli performing "Some People"; Andrea McArdle singing "Look for the Silver Lining" and "Tomorrow"; and Bebe Neuwirth and Karen Ziemba teaming for "Nowadays/Hot Honey Rag." Originally broadcast on PBS's "Great Performances" (season 28, episode 4).
The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."
Young man gives up his dream of becoming an astronaut to go into business — and finds himself turned into a little old man.
When the death of a close friend unearths the long-thought lost final reel of a classic Tod Browning horror film, Jimmy and his cohorts each concoct underhanded schemes involving false romances, drag personas….and maybe vampires?…to cash in on a big sale of the film. But can the urge to bring the moviegoing community together with this lost classic prevail over the desire to get rich quick?
