Ariel Gordon

After the death of her abusive husband, Matilde finds her new best friend in Miguel, her young, insecure, and disoriented neighbor.

When Sonia receives the news that her husband’s cancer has progressed to a critical stage, she races to secure the insurance company’s approval for the care that can help him.

After Emiliano dies from poisoning, a vault in Zürich opens to reveal a video tape of edited fragments from surveillance cameras that captured the most important day in Emiliano's life. That day he learned that what matters most in life are not beginnings or endings, what matters most is one defining moment: his peculiar encounter with Juan when he recruited him to assassinate a former presidencial candidate.

Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.

Three friends have a special mission: find some keys lost in a pile of dead leaves. It may seem a simple task, but it will turn into an odyssey when it confronts them to their fear to grow up. This afternoon, as trivial as it may sound, could change the course of their lives.

Ismael, a 12 year old boy, dreams to become a professional baseball player but he is asthmatic. One night, while approaching the girl he loves, he witnesses a crime.

The coming of age story of a boy that after a traumatic event is taken to beautiful Cuernavaca, where he has to find his father while trying to adapt to life with his grandmother, who has problems of her own.

A man on a supermarket encounters a woman who tells him he reminds her of her late son.

Two wrestlers decide to go to a hotel in order to meet two prostitutes.

The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.

In the valley of Oaxaca, Elida defies tradition by rejecting an arranged marriage to the wealthy Damián. Her heart leads her to Olivo, a young man who is following in the footsteps of his late father.

Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.

A voluble hypochondriac and an HIV patient clash. On the phone, Tomás agrees to see his new girlfriend that evening, so he begs off study when Pablo arrives to work on their joint architecture thesis. Before Pablo leaves, Tomás discovers a vial of pills: AZT. Tomas presses Pablo, who admits he is HIV-positive. Tomás throws a fit: how could Pablo be so selfish as to expose him to AIDS! Pablo tells Tomás to relax, but anger follows. Pablo is leaving when Tomás's mom arrives and insists he stay for supper. Table talk turns to homosexuality. With rancor in the air, Pablo tells his story. The doorbell rings.