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The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieslowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.
The story stretches from 1863 to 1945. Its main characters are representatives of the Pasternik family, who live in the fictional village of Wielowice near Pszczyna. The protagonist of the first three episodes is Franciszek Pasternik, the following parts tell about the fate of his many children and even more grandchildren. The viewer follows their history against the backdrop of great changes and historical events that influenced the lives of Silesian Poles. So there is the Kulturkampf, Prussian rugi, the revolution of 1905, World War I and the Silesian Uprisings.
A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.
Poland, 1930s. Agata, a twenty-year-old young woman, a niece of the lady of a small manor, is about to get married. This fact causes dramatic changes for three people: Miss Stawro, a music teacher who cares for Agata, and two sixteen-year-old boys, Witek and Stas, who have their own feelings for the girl. However, the closer the wedding date gets, the more the bride-to-be is haunted by morbidly surreal visions related to her troubled past.
The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.
A bittersweet story about love, fate and coincidence. Mika, a 30 year-old journalist, is frustrated with her job and non-existent love life. After a car accident, her self-confidence has been shattered. She believes that life is just about luck, especially love life. She meets different people, but will her and her soulmate's paths eventually cross? Can Mika really influence her fate?
Praised for its fine photography and production design if not its narrative, Sergei Bondarchuk directed this adaptation of the tale by Alexander Pushkin. Boris Godunov came to the Czarist throne at the end of the 16th century, after the original heir to Ivan the Terrible had died. At first, things went well for Godunov (played by Bondarchuk), but when the Russian people began to believe he had killed Ivan the Terrible's son in order to gain the throne, an alliance sprang up against the new Czar. Events continued to spin out of control as a young monk was presented as the son Godunov had supposedly killed. Now he was openly accused of failing an assassination attempt, which seems to be even worse than succeeding. In addition to these woes, Boris Godunov began to suffer serious health problems. So much for the joys of kingship.
Saverio, a dentist, comes out as naive as usual while he falls in love with Alia, a Russian immigrant he met in Rome. He must now deal with issues a guy like him would never have thought to come across.
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
After the death of his wife, the father of 16-year-old Wojtek, succumbs to a nervous breakdown and loses touch with reality. The school authorities where Wojtek is a student already know about this problem. If Wojtek’s father doesn’t prove he is able to look after his son, Wojtek will be taken to an orphanage. Wojtek is left with a few hours to master the situation and overcome the problem. The film is based on the short story 'ON' [He] by Joanna Łabuz and corresponds to the fourth Commandment: 'Honour your father and your mother'.
Story about the young Balthazar thrown from one remarkable event to the other. On his way through a plague hit the landscape, he meets the Kabbalists, priests - and himself.
Based on a true story dating back to 1985 when two Polish boys, a teenager and his little brother, escaped from communist Poland all the way to Sweden, hidden under a truck. In the movie, their destination has been changed to Denmark.
Laguna was once a great soccer player whose career was interrupted by an injury. He spent years climbing the ranks to become an international referee. He sees the prevailing arrangements, manipulations, and bribery around him. Now desperate, he decides to stage an extraordinary culmination of his career: he wants to create a so-called "miracle Sunday" by "printing" the final round of games - taking substantial bribes from the interested clubs and manipulating the matches so that the results align in the order he set up.
Teenager pretends to be mentally ill to get away from a reformatory.
Based on a true story of a Polish musician who survived the concentration camp only because he could play on the accordion the title melody.
Early 1960s. Four friends, Admiral, Ataman, Pasha and Chief, walk the streets of the town all day or sit at the train station, wallowing in their dreams. Everything changes when the Admiral meets Marta, a student on an internship. The boy begins to prefer the company of the girl over that of his colleagues. This becomes the cause of misunderstandings between friends. Soon, however, Marta leaves.
Ludwik starts one of the best high schools in Krakow. His life changes with a growing storm of conflicting emotions. First love infatuations, sexual contacts, a rebellion against unjust authorities and the desire to imitate his idol, Marek, an older boy who who fought in the Warsaw Uprising in 1944.
Though she only knows his first name and that he ‘works in coal’, Molly, a young Irish woman, travels to a small Polish town to find the man with whom she had a memorable one-night stand several months before. Armed with nothing more than a postcard and her own tenacity, she sets about finding her past lover, despite her landlord’s admonishments that all the coal mines closed years ago.
