Acting
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Johann Strauss helps the business of a Viennese wine merchant and his daughter by showing up to conduct the orchestra at a party.
Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.
On their honeymoon in St. Moritz,a new husband who is much older than his young bride is driven to despair when he thinks she prefers to spend her time with a younger man there, an actor.
Dietz' relatives are horrified to discover that Dietz, the son of a wealthy merchant, is planning to marry an actress, who is known to appear in rather daring roles. Dietz finds a way to escape from a gathering over coffee, during which he's supposed to be introduced to "decent ladies". After all, his great love is waiting for him somewhere else.
Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.
Old captain Barkhahn keeps on going bankrupt with all his business endeavors. He’s made for the sea and not for the land. His newest idea is a family-run bed and breakfast with “Familienanschluß," and so Captain Bräuer moves in and quickly shows interest in Barkhahn's daughter Käthe, whom he met and bugged earlier already. Meanwhile, the bailiff is on Barkhahn's back, and the next catastrophe is on the rise.
A small banking family is put to the test: Brigitte, the wife of the banker Sparrenberg, has a secret: she was once the lover of the fraudster Baron Gaffris, who once used her to get close to well-off businessmen. Now Gaffris is trying to use her to trick her husband. After a fight between Brigitte and Gaffris, Brigitte’s daughter Ina seeks out the baron in an attempt to help her mother. Afterwards, the baron’s suddenly found dead on the floor. Brigitte takes all the blame, goes to the cops and admits to having stabbed Gaffris.
To stave off creditors of a young composer, his friend plants a news story that he is engaged to an American heiress.
When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
Successful playwright goes undercover to get new material and finds romance.
Judith, Count Robert de Bertan's daughter, is on holiday with her friend Louise and her father Marquis Emile de Fers. Meanwhile, banker Charles Delcourt has introduced De Bertan to the owner of a gambling-and-dance hall, Olga Tatschowas. De Bertan, unaware that his banker has lost the capital he gave him to invest at Olga's gambling tables, falls in love with Olga. He marries her, unaware that he is the victim of a plot hatched by Delcourt and Olga, who desires a title and De Bertan's possession.
Marie, adopted as a baby by Warrant Officer Guippo, helps a smuggler escape because he saved his life previously. She finds him again in Paris while she is engaged to Count Bertrand.
Martin Hollmann, a young gardener meets his significantly older wife's daughter from her first marriage. Liesbeth Kröger is from his generation and they both get along well straight away. Shortly after his wife's death, Martin brings Liesbeth into his house as a housekeeper, and they both fall in love. The couple live together and soon decide to get married when Liesbeth becomes pregnant by Martin. But now the tragedy begins, because when registering at the registry office, Martin and Liesbeth, in the form of a strict bailiff, are officially declared that they have committed incest in accordance with Section 173 of the Criminal Code.
