Dora García

No description available.

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

No description available.

Created thanks to the funds provided for the production of new artworks awarded to Dora García for the 45th PIAC, The Joycean Society is a film about a book club dedicated to James Joyce's Finnegans Wake; The Zurich-based group of students, admirers and connoisseurs read and dissect passages from what is often said to be "the most difficult book in the world".

Dora García proposes a soundtrack to the incredible feminist demonstrations that have been taking place – modifying and appropriating public space and public discourse – in Mexico City in the last 5 years. The film follows two paths: one, a collective recollection of images and sounds from these feminist marches in the city; two, the composition, recording and final performance of the film theme song by trans artist La Bruja de Texcoco.

No description available.

Love with Obstacles focuses on the extraordinary author, Marxist feminist, October revolutionary, political exile and diplomat, Alexandra Kollontai (St. Petersburg,1872– Moscow, 1952). The film dives into the conservation of her legacy in Moscow archives, what has been told and untold, and her vision of the future of a socialist feminist revolution. Love with Obstacles is the first part of the feature film Amor Rojo (to be completed in 2021) which will draw a fuller portrait of a figure that is able to bridge a century of feminisms, from first wave to fourth and fifth, across a couple of oceans, from Russia to Mexico and the Pacific. Through her legacy and its place in the history of ideas, the film seeks to draw a genealogy to today’s renewed surge of feminism.

A documentary about the life and legacy of the Marxist theorist and Soviet revolutionary Alexandra Kollontai (1872–1952) with the current transfeminist movement in Mexico. Being a central figure among the revolutionaries of the early Soviet Union, Kollontai was the first woman to be a cabinet minister and the first woman ambassador. Among other things, she championed for women’s liberation, helped organise the first International Women’s Day, worked to advance women’s labour, welfare, and education rights, and was an advocate for sexual emancipation, abortion rights, and civil partnerships instead of traditional marriage. After working in the Bolshevik government for a few years, she became sidelined and ostracised, and narrowly avoided her expulsion from the party by serving in several diplomatic posts outside Russia, including Norway, Mexico, and Sweden.

Literature and psychoanalysis are summoned here around a mythical figure of the intellectual, artistic and psychoanalytical history of pre-dictatorship Argentina: Oscar Masotta. Having introduced Lacan’s thought in Latin America as well as structuralism, having taken action in defense of Pop art, and having himself initiated legendary performances, Masotta is at the heart of that wonderful Fifties and Seventies effervescence. But for as distinct a character as this one, Dora Garcia neither films the biopic, nor does she merely deliver the servile reconstruction of an anthology of his « actions ». Better still, and through an impure mix of both, with other elements at the forefront, she proposes floating evocation, much like psychoanalytical listening.

In order for the revolution to live up to its promise, might love be the missing ingredient? Artist Dora García delves into the archives and finds in the searing writings of Alexandra Kollontaï, an early-20th-century revolutionary, a precious ally of queer and feminist movements in Latin America and elsewhere. A joyfully militant political film."

This science fiction short film shows a group of characters discussing repetition, metafiction, acting, and the work of psychoanalyst Oscar Masotta, against the backdrop of a neo-Gothic library. Inspired by the novel of the same name by Argentine cult director Macedonio Fernández.