Alberto Iglesias

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Charting the life of Isabella I of Castile, one of the most important women in Spain’s history, Isabel follows her passionate story from childhood to being crowned Queen. From her political struggles within King Henry IV's court to her wedding to Ferdinand of Aragon, the drama encapsulates the passions, emotions and sacrifices of a woman who refused to just be a figurehead and whose outlook was ahead of her time.

The story of Rodrigo Díaz de Vivar, a Castilian nobleman and war hero in medieval Spain.

As the life of Charles of Habsburg is told since his arrival to Spain, it can be seen how the heir to the crowns of Germany, Burgundy, the Netherlands, the Free County, Artois, Nevers and Rethel, of the territories of the Crown of Aragon and its related Italian territories, and of the territories of the Catholic Monarchs in Castile, North Africa and the Americas, matures as a statesman and gets stronger in face of menaces around him and good and bad advice from his counselors.

The 'enxaneta' is a boy or girl who climbs up the 'castell', a major fiesta un catalonian culture.

In the early 20th century, Countess Carmen Díaz de Mendoza Aguado, inspired yet frustrated by Mozart’s Don Giovanni, sets out to write her own version but struggles with doubt, societal pressures, and a haunting inner voice, leading to her play’s failure. Decades later, fragments of her life and work resurface through obituaries and fading memories. In 2024, a modern composer seeks to rediscover and reinvent her lost opera, conversing with the echoes of the past to reclaim the Countess’s silenced voice and vision.

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