Dimitris Polyzos

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When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.

Having met by chance on the way to an island, a woman and a man decide to wander around together in search of a good place to bury a metallic box.

What impact do the Olympic Games have on their host cities? Athens, Tokyo, Beijing and Paris – cities that have changed the urban layout of entire neighbourhoods for the Olympics, transforming their appearance forever. Unused sports stadiums are falling into disrepair and grass is growing over them, while public attention is focused on the construction of new stadiums costing billions, displacing thousands of residents who have to make way for them. The director travels to Olympic host cities to explore this unsustainable cycle, which has a devastating effect on the city's economy, the environment, and the lives of ordinary people.

After a heartbreaking split with his girlfriend, acting student Angantýr goes through various stages of grief while preparing for his final stage performance of the semester.

Death as non-existence, non-being, or the absence of life has been a subject of human interest for millennia. Poets, philosophers, prophets, and hermits have now been replaced by filmmakers, influencers, cryonicists, and evolutionary biologists in the search for the quintessence of life and death. Zoltan Istvan runs a cryonics laboratory and is running for president of the United States with the demand that immortality be included among fundamental human rights. In Russia, a mass festival dedicated to the cult of death is traditionally held. Dāvis Sīmanis' film essay reveals the twists and turns of man's age-old desire for eternal life. It uncovers the metaphorical and fetishistic representations of death and the mechanisms by which we come to terms with our own mortality.

A father has kidnapped his daughter. Running out of money, they are on a road trip, trying to reach as far as possible.

The arrival of children, as seen through the stories of four different couples, just when a pregnancy comes along and conflicts with their lives. A marital crisis becomes a family tragedy; a mad man's gun forces a young couple to reconsider a premature pregnancy; a long struggle of in-vitro fertilizations brings together and forces apart two sterile women who have shared the same man; and a young Iraqi immigrant, all alone in her apartment, is forced to give birth to her child with the help of her Greek stalker and next door neighbor. The stories unfold within a day and collide in a violent and fatal incident.

In a mountainous village, a young country girl is getting ready for her wedding at the local town hall. It will be a day unlike all the rest. However, her future husband does not seem to share the same longing. When the wedding is postponed for the next day, everything is up in the air.

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A beetle abandoned by his colony lives in the heights of an oak tree. Under the intrigued eye of the insect, a hiker pitches her tent at the foot of the tree to spend the night.

During the 1950s, very much in the spirit of the day, some progressive-minded Icelanders founded an association that would cultivate good relations with the USSR – by showing films, among other activities. Now the superpower is gone, but their Icelandic friends are still showing Soviet movies once a week.

After their boss disappears, wanted for murder, the staff of a fading nightclub take part in a documentary that forces them to confront the events of that fateful night.

An arm wrestler who lives in the countryside, upset with the mentality of the small community, decides to return to Athens. In this journey of adulthood, he will face in a "bras de fer fight" the most difficult opponent, his pure self.

The implementation of a European organic cultivation program in a Ghanaian cocoa-farming community, questions the power of the traditional authority and confronts the aspirations of young farmers, who long for a future outside their homeland.

In the National Park of Šumava, in the south of Czech Republic, an invasive species of insect, the bark beetle, is eating the wood of the spruce tree, causing serious damage to the forest since the early 2000s. The forest, already weakened by the intensive spruce monoculture that was going on in Šumava during decades, couldn’t resist to the invasion of beetle. The extent of the destructions leads in 2011 to a large political controversy opposing the administration of the park to some environmental NGOs – two conception of the relation between man and nature were facing eachother. Meanwhile, the beetle gather his strenght and fight for his survival…