Gilles Hertzog

One year after the beginning of the full-scale Russian invasion of Ukraine, philosopher Bernard-Henri Lévy takes us to the heart of the combat through this war diary made during the second half of 2022. From Kharkiv and Bakhmut to Kherson, in the aftermath of the city’s liberation, this documentary bears witness to the ravages of war through the testimonies of soldiers, chronicles of the front and portraits of civilians, and shares with us the struggle of the Ukrainian people.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

The war in Libya as seen from the inside: both on the scene and as discussed by world politicians. After thirty years of chasing wars and conflicts, Bernard-Henri Lévy takes us along for a journey reminiscent of Malraux and Hemingway, though retaining a style all his own. Six-months of exceptional dramaturgy. Six months of a war for freedom, resulting in the fall of one of the longest, most relentless dictatorships of modern times. A war with a beginning but perhaps no end. The making of a war.

A subjective documentary, a real logbook that follows the philosopher Bernard-Henri Lévy in the U.S.A.

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