Andreas Kontopoulos

The premise of the series revolves around the daily lives of different couples of all ages from 20 to 65, but who are not connected to each other. Each couple has their own space where they live, while the story of each couple in each episode is not connected to the stories of the other couples.

You Can’t Take From One Who Does No Have (Ouk an lavois para tou mi ehontos) is a Greek animated mini-series that aired in the 2010-2011 season on Mega. Ouk an lavois para tou mi ehontos develops in modern Athens where Charos goes, wanting to withdraw from his obligations. However, he is short an obolus on his books, what Menippus owes since he died. Hermes, as the carrier of souls and responsible for Menippus not having the obolus, together with Charus try to help Menippus make money to pay him the obolus. The series was scheduled to begin in the 2009–2010 season, but was eventually rescheduled for the following season’s schedule. The series consists of a total of one cycle with 14 episodes.

Two different worlds, two strangers who will come and change what we believe separates but also unites two people. Stratis and Razan will experience a strong love under the most adverse conditions. Will they manage to overcome the wreck of their lives or will they live as protagonists in an absurd thriller? "Glykanisos" is coming to SKAI and its taste will remain indelible.

A young schoolgirl, brutally murdered. A country town, full of secrets and lies. A ruthless killer who uses a chilling pattern. A race to catch him, before he strikes again...

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In this fast-paced Greek wedding comedy, young lovers Ilias and Marina arrive on the island of Crete for their wedding, along with their large, boisterous families all eager to celebrate the nuptials. However, when a typo on the wedding invitation confuses the reception venue and scatters the guests in different directions, they embark on a collision course of increasingly comedic proportions.

A girl on a cruise with her family, falls in love with the ship's lieutenant and has to make a dramatic decision when they reach Istanbul, in the end. A boy, secretly in love with his best friend, finally manages to express his feelings, through a fake Facebook profile... Until she finds out the truth! And two strangers spent a night together in Thessaloniki, falling in love, but when they part ways, the girl's mobile phone is stolen, along with the boy's number...

The story begins at the end of the first Kako movie. The survivors meet up with a group of other barricaded survivors and must take care of the zombies as well as other random Greeks that have taken advantage of the chaos, while shooting random moving targets (zombie or not). Throughout we take small flashback visits into ancient Greece where the zombie apocalypse has also happened and we learn how they faced them.

Running away from a life filled with failure and rejection, Nikos desperately dives into the dark waters of human desire, after closing a faustian pact. He is given an old piece of animal skin that promises its owner everything, but at a high price - his life. As he steadily steps down the spiral of madness, Nikos wonders if he could ever wake up from a life that more and more resembles a dream. A contemporary, radical outlook on Balzac’s classic novel.

The lives of young people living in Athens. Lives full of color, laughter, music, funny faces, fiery hearts, but also… canceled dates. Stories that show us all that happens in life but is missing from television. Stories morning and evening. Stories in the city center. Stories at the University and at the office. Stories with their common axis of flirting and erotic play and the search for them through advertisements. The city tells its stories. Everyday stories, familiar, but also distant, those that we have lived, that we would like to live, or that we would like to avoid. Stories that reveal the nuances of modern life. The image of the city and human relationships. People who meet through a newspaper column and come closer.

Ismini is in her early 30s. She is cultivated, delicate, sensitive and... emotionally handicapped. She has developed a simplistic system of defense to protect her emotions: no one is to come near. It is exactly the moment when this collapses that unsophisticated, simple, impolite, aggressive and greatly passionate Haris appears in her life.

A man in his forties, afflicted with amnesia, crosses paths with a woman who was once his first love. Though no memories of her resurface, he is carried away by a feeling that runs deeper than the boundaries of his memory.

Sofia and Eleni and Petros and Alexandros and Despina and Daphne. Familiar, people-next-door types with their obsessions, weaknesses, hang-ups. People who make the daily rounds in search of communication. Sofia, fragile and with no defenses, searches for the scent of life. Eleni tries to combine career and child, making the mistakes she blames her mother Despina for making. Alexandros, a full-fledged adolescent strives to be loved. Petros goes after lost relationships. Characters and the absences of characters. Relationships that are articulated and disarticulated. Through tender glances and open wounds. With an invitation open to all as an antidote. One that we have extended dozens of times while we wait and hope. So... let's go for an ouzo.

The end of summer. A young couple goes down to an isolated beach. As Thomas goes for a swim, Anna, sitting on the beach, suddenly loses sight of him. When Thomas finally comes out of water, something has changed.

A man has second thoughts about a deal he has made with consequences he isn't prepared for. A cutting horror-satire from Greek director Daniel Bolda that fans of Bolda’s countryman Yorgos Lanthimos will love.

An evil force is awakened in downtown Athens transforming the unsuspecting citizens into raving zombies. The few survivors will have to fight hard for their lives. To the death.

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Constantina Voulgaris’s first feature film is a delightful anomaly in contemporary cinema, sort of like a Cat Power song. Raw, earnest, melancholy, awkward in parts, razor sharp in others, it's lyrical, yet with an undercutting touch of offbeat humor. And more than anything it's unapologetically a girl's bedroom song, an utterly sincere home movie. Made with the ever-generous currency of a cast and crew of friends, and the ample downtime that Greek summer-in-the-city affords, when everybody else is sunning and hooking up out in the islands, it's a film about two exiles -- in Athens, in summer, in love. A sentimental dance between a girl and a boy who could be stuck in downtown any-ville, yearning to be with each other but too cool to dare, too chicken to admit it, too clumsy not to step on each other's Doc Martens, and too damn sentimental not to surrender, in the end, to that old-fashioned thing called love.