Diego Fleischer

Throughout the 20th century and beyond, the rooms of an Argentinian house are witness to very different inhabitants and mysteries. Filmmaker Diego Lerman takes the opportunity of a TV series to tell different stories in various artistic styles, collectively portraying the many faces and tribulations of one country.

The nightmarish tale of two siblings cruelly separated as kids. The youngest, Elena, is confined to the world of darkness, where she leads a miserable life. The eldest, Facundo, remains in paradise, where he lives a peaceful life as a doctor with his wife and two daughters. 25 years later, the two are reunited to face the family tragedy that separated them.

She Wolf is a serial killer who traps her men in the subway in Buenos Aires. She seduces, has sex with them and kills them. But one of those men is a police officer who is investigating her crimes. Running away from him she meets a dealer with whom she stars a relationship. This romance unravels a war between her three personalities: the monster woman, the sensual woman and the human woman who can still love.

Mariel and her husband, happily married and expecting a baby, are moving from the apartment they currently rent to a larger apartment they have just booked for purchase. She is an architect, and her boss left him in charge of designing how the illumination of a collection of works of art should be. Everything goes very well for Mariel, but at the last ultrasound something is not right. The gestation of his embryo was interrupted. She lives from now on with the death she carries inside.

Three young woman leave a party and decide to spend a few days in a country house away from the urbanization in the middle of the Argentine pampas. Upon arrival they are invited to a party called by the pawns and locals.

Leonidas, a young Huarpe destined to be the leader of his community, falls in love, going against all the mandates of his people, Lourdes, the daughter of the white landowner of the Town. To separate them, they accuse Leonidas of a crime he did not commit, for which he must serve a sentence. When they leave prison with Lourdes they undertake a bloody revenge against all those who tried to separate them and on the way they will discover that they are united by something more than their immense love.

Juan, a thirteen year old boy, and Marco, his blind father due to the Falklands/Malvinas War, travel to his chilhood town in the north of Argentina. There he will discover an unknown side of the father and will take its own path to adulthood.

A woman is in shock at the loss of her baby after being ferociously beaten by her husband. Clementina’s trauma causes her to see ghosts.

A junior screenwriter called Juan Garofalo is hired by film director Samuel Goldszer to write his new film: a gangster movie set in Buenos Aires. In each meeting, the filmmakers create a story that takes place in an imaginary Pompeya neighborhood. So the characters are born: Dylan, the brutal hero of the underworld, Timmy, his disturbed, deaf-mute brother, and Lana, the femme fatale who begins the love triangle. But Pompeya hides a secret and is disputed by the Russian and Korean mafia, and Dylan is caught in a sequence of bloody crimes. Dylan fights for survival while Juan, his creator, lives with greed and misery the experience of an imaginary system of evil powers. And when pure fiction and reality are completely corrupted, the unexpected happens.

Two sisters, Celia and Aída, lead a solitary routine that revolves around gossiping about all their neighbors. They await the arrival of Marita, Aída's daughter, who lives in Canada and is coming to take them to Toronto and care for them in their old age. A conflict arises when Ángel, the building manager, declares his love for Celia.

Baltasar Espinosa, a medical student, accepts an invitation from his cousin to spend the summer at his estate. However, a torrential downpour floods the fields, leaving him stranded with the Gutre family, a group of laborers. During their isolation, Baltasar reads "The Gospel According to Mark" to them, leading to unexpected and profound consequences.