Andrés Pepe Estrada
Editing
Biography
Andrés Pepe Estrada is a Spanish film editor born in Madrid.
Known For

Pedro receives a desperate message from an ex-girlfriend asking him to look after her senile mother, Alicia. What seems like a simple mission soon becomes his worst nightmare. Pedro needs to escape; but Alicia won’t let him...
Crazy Old Lady

In the conservative northwestern region of Argentina, Julieta finds herself accused of infanticide after a medical emergency. With support from her attorney and women's rights advocates, she fights for justice in a landmark case that could change lives.
Belén

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.
Argentina 1985

A coming-of-age story that follows Matias, an Argentine filmmaker in his forties, struggling with an unfinished movie inspired by his elusive first love to Alexander, a Swedish friend he met at an international school in the 90’s. Tenderness and fascination define their strong friendship, which is short-lived when Alexander is suddenly expelled back to his country, leaving young Matias with an unresolved story of undeclared emotions. 25 years later, and Matias decides to reopen Pandora’s box as he embarks on a journey to find the ending to his story by coming face-to-face with Alexander, discovering life imitating art.
Before We Forget

Two teen brothers and their newly-met stepsister take a road trip to the Mexico-U.S. border in a tense revenge journey to track down the man responsible for the accident that caused their father's death.
Upon Open Sky

Fernando, a naval officer, arrives in the city of Rosario to work on an oil tanker. But his move seems to conceal other motives.
Blood

A young Buenos Aires mother finds employment as a sex worker and struggles to live under the same laws that are supposed to protect her.
Alanis

Julia, a 25 year-old university student, two weeks pregnant, with no criminal record, is sent to prison. Julia murdered the father of her child. This story addresses maternity, jail and Justice; confinement, guilt and solitude; but above all it deals with Julia and her son, Tomas, born inside an Argentinean prison.
Lion's Den

A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.
Murder Me, Monster

When cowboy Billi and his sweetheart Rosa run away together, he is accused of her husband's death and becomes the symbol of a local uprising. Everyone wants his head and only Rosa knows the secret that could finally set them free.
Heads or Tails?

A couple must hold on to $100,000 for 24 hours as they wait to buy a house. As the time ticks by, the true nature of their love unravels.
The Fire

Taking a breather from the crisis of her marriage, a surgeon named Celina visits the country house of an old friend who she hasn't seen since their university days. When she gets there, she realizes that something is going on with Paula, her friend's step daughter. Soon she learns that Paula attempted suicide, but Celina is in no shape to help anyone, because she is fleeing a dark secret of her own and has come to the worst place of all possible places to save herself. In the limbo of this hellish little town, her ghosts are reborn, infecting everyone around her...
Some Girls

Blondi and Mirko live together, listen to the same music, watch the same films, like to smoke pot and share the same friends. But, even though they seem to be the same age, Blondi is Mirko's mother.
Blondi

A documentary about the story of Mario de Marcella, a hermit that lived in the woods near Rome. He was called by hunters "Il Solengo" because that's how they call the lone boar that is cut off from the rest of the pack.
Il solengo

Small town in Italy, end of the 19th century. Luciano, a drunk, doesn't fit in the town. Rebelion against authority and a forbidden love makes him to commit a crime accidentally. To pay for his crime, he is forced into exile on the most remote island in the world, Argentina’s Tierra del Fuego. The hunt for the shipwreck treasure hidden on the island becomes his opportunity for redemption.
The Tale of King Crab

Whilst a mother drives with her daughter through the wealthy suburbs of her home city, eyeing the houses of the rich, she accidentally drives her car into a beautiful flower patch inside the front yard of a mansion, bogging their car down. The daughter needs to provide the solution, before her mother’s visceral fascination with the house and its owner drives them both to a point of no return.
None of That

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.
Only Child

Julia returns to her hometown and the neighbourhood she left years ago after being swindled. She’s here to sign a permit to authorize her daughter to move in with her father, but more than anything, she’s come back to recover money that she left there, and which would solve a lot of her problems. Returning to her past is nothing like she expected it to be.
That Weekend

When Felipe’s ex-girlfriend breaks his heart, it feels like it’s the end of the world – and he’s not wrong. A strange zombie plague is unleashed on the paradise beach his friends have taken him to get his head in the right place. This is how the hectic pursuit for survival begins, where telling apart the living from the dead becomes the hardest part. Felipe will do whatever it takes to save his life, his friends’ lives and Ana’s life, a beautiful and problematic girl. Who would’ve guessed a zombie apocalypse would be the beginning of a new life and new love?
The Summer Hit

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.