Nina Könnemann

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The end of a long night or Last Dance?

With a focus on a decidedly less populated though uncanny urbanscape, in Bann Nina Könnemann clandestinely observes the increasingly ostracized smokers in London's financial district, her keen eye and mischievous editing creating a portrait of alienation, self-consciousness, and perhaps even shame.

A clever play between consumption and expulsion, Nina Könnemann’s wry What’s New contrasts the bi-weekly rhythms of changing posters on a street-level public billboard in Berlin with the suggestion of less-than-proper acts taking place on the opposite side of the board.