Eoin McCann
Sound
Known For
Documentary which aired in 1989 as part of the HBO documentary series "American Undercover". It was filmed in West Palm Beach, Florida over the course of eight weeks and was nominated for an Academy Award for Best Documentary Feature. The documentary shows a cross section of abusers who have fallen under the deadly spell of the most addictive and affordable drug in America. Interviews with addicts and their families reveal that crack knows no socio-economic boundaries. Teenagers discuss the desperate measures they have taken to obtain the drug. The producers acknowledged the following for their assistance in making this film: Palm Beach County Sheriff's Office; West Palm Beach Police Department; Data House of the Drug Abuse Treatment Association © Half-Court Productions Ltd. 1989
Crack USA: County Under Siege

Against the backdrop of the 1977 Edinburgh Film Festival, two low-budget filmmakers attempt to talk up some finance as they hunt for cash, cast and ‘name director’ Sam Fuller to shoot their Aberdeen-set oil-boom adventure ‘Gulf and Western’. Along the way, they encounter a plethora of filmmaking luminaries including Wim Wenders, Stephen Frears, John Boorman, Bill Forsyth and Alan Bennett.
Long Shot
A BAFTA award nominated documentary about Danilo Dolci's 1967 march across Sicily as an expression of his fight against poverty, corruption and violence, together with transcripts of an interview with Dolci.
Mafia No!

Filmmaker Roman Polanski spends a weekend with world champion driver Jackie Stewart as he attempts to win the 1971 Monaco Grand Prix, offering an extraordinarily rare glimpse into the life of a gifted athlete at the height of his powers.
Weekend of a Champion

A large family in London's East End is celebrating a birthday party. Children and grandchildren from this extensive family have come to the party from all over England. At the party the family members talk about hope and dreams for their children. The past and present lives of various relatives are compared with each other, while fragments from radio-programmes from the fourties and the fifties draw an emotional and historical line. Set against this archive material are fierce images of modern day family life in urban England in the year 1993. This makes the film a collage of dreams, memories and images of present-day life.