Natalia Moguel

In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.

Clint is a dead man who lives alone in a frozen tundra. However, this isolation cannot bring either evasion or peace. One night, he begins a journey where he must confront his dreams, memories, and visions, crossing the darkness into the light.

Two identical twin sisters, separated at birth, one truly decent but humble, the other ultra rich, conniving, and truly destructive. They soon find themselves hopelessly intertwined in each other's lives.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Ivan lives with his mother in the daily routine. Without prior notice, Jacobo, the oldest son who was absent, comes back home; desperate for his own situation he decides to start a short trip with his younger brother, Ivan. All along the journey they will learn to understand each other, they will try to make up for lost time and rebuild their affective bonds.

Jorge and Diego, two rival brothers who haven't seen each other in a long time, are reunited when their father dies and they decide to make a trip to the house of their infancy. The contact with the past and the secrets that come to light worsens the rivalry between the brothers and confronts them in a situation that will change their lives.

Alexa feels a terrible revulsion toward bodily fluids, which is why she has avoided having sex. Until today.