Acting
The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.
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A long-running German-language entertainment television show based on the format of the British show You Bet! and the American show Wanna Bet?.
This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.
Filmed at the Royal Festival Hall, Londno, 26/04/1964 Xquisite contrasts of the characters, divine voices of the singers, saturated and rich sound of the brass section and the perfectly blended harmony of the entire ensemble create an unforgettable and a true once-in-a-lifetime experience of Verdi's Messa da Requiem.
The film tells the story of classic black singing against the background of black emancipation in politics and society. This story stretches from the first successes of the bass Paul Robeson, who all his life regarded his voice as an instrument of liberation, to the young singing pupils of the Harlem School of Arts, who identify themselves with their origins in rejuvenated pride. The great African-American singers express their views, as do opera company directors and critics. Historical and contemporary film extracts and specially produced film sequences demonstrate the richness and variety of black singing.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles. Louis Quilico was never quite in that league, and he sounds a bit spread and woofy in places here, but he works hard and effectively to bring Rodrigo to life. Placido Domingo recorded his first Don Carlo, for EMI with Giulini, about 15 years before this production, but he looks and sounds fine here -- in the early 1980's he was doing very good Otellos and Lohengrins too, and Furlanetto, still in his 30's, brings a rich, young voice to an old part and succeeds in making the Grand Inquisitor vocally as well as expressively formidable. Levine brings both weight and energy to the score, and that reading fits well with the overall "traditional" design and production -- the Met's wardrobe budget must have been severely taxed, but everybody looks splendid.
This tribute to James Levine, first shown on PBS, was only part of that glorious evening. Here we have the whole performance, up to three hours. I could not stop watching these discs. Let me say this much; Levine has done for the Met, making it the premier opera house in the world, what Karajan did with the Berlin, making it one of the finest orchestras ever. So sit back and enjoy.
In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.
Discover Grace Bumbry’s inspiring rise to global opera fame. Spotlighting her historic performances, the film explores the racial barriers she overcame to triumph in her 1966 performance as "Carmen."
The traditional Christmas concert enchants every year with classic and popular Christmas music from all over the world. The most touching program highlights of the Vienna Christmas Concert.
Bumbry with accompanist Helmut Deutsch performs works by Schubert, Brahms, Liszt, Berlioz, Schumann, Strauss, Obradors, and Bizet live in Paris in memory of her teacher Lotte Lehmann. Also included are short inteviews with Bumbry
