Henky Solaiman

Deep in the heart of Jakarta's slums lies an impenetrable safe house for the world's most dangerous killers and gangsters. Until now, the run-down apartment block has been considered untouchable to even the bravest of police. Cloaked under the cover of pre-dawn darkness and silence, an elite swat team is tasked with raiding the safe house in order to take down the notorious drug lord that runs it. But when a chance encounter with a spotter blows their cover and news of their assault reaches the drug lord, the building's lights are cut and all the exits blocked. Stranded on the sixth floor with no way out, the unit must fight their way through the city's worst to survive their mission. Starring Indonesian martial arts sensation Iko Uwais.

After fighting his way through an apartment building populated by an army of dangerous criminals and escaping with his life, SWAT team member Rama goes undercover, joining a powerful Indonesian crime syndicate to protect his family and uncover corrupt members of his own force.

A workaholic couple winds up hospitalized in the same room, presenting a chance for them to spend quality time together and testing their relationship.

Pandu Dewanata returns to the country of Astina, with three princesses he won from a competition - the Goddess of Kunti, the Goddess of Madrin, and the Goddess of Gandari. Pandu is not so greedy to marry the three goddesses, so he offers one to be paired with his brother, Destarata, and another to his younger brother, Abiyasa

Edo and Ipah study in the same art college. Both are attracted to each other and the relationship is pure yet Ipah’s father does not approve. One day, Edo’s father who works in the railway service dies in an accident. Both Edo and Ipah must condemn with the decision that tested their relationships.

After nine celebrities accept an invitation to visit a remote island, they find themselves trapped with a mysterious killer hunting them down.

Mei, a Chinese-indonesian woman who is a converted Muslim tries to reconcile with her father, a Bak Kut Teh (pork rib soup) hereditary restaurant owner by giving him a chicken dish (opor ayam) made by herself on Eid Mubarak.

The unrequited letters motivate Gendis to come to Jakarta to find out where his mother has been. By following the Annual Student's Annual Camp, Gendis has hope in realizing his dream to be able to see and embrace the figure he missed. Meeting Gilang and some friends in the camp was the start of an elaborate search in Jakarta. Gendis thinks it will be fine, but on the contrary, every quest leaves a mystery to be solved by it. Is Gendis able to meet his mother and return safely?

Jodi—slacker employee for more than three years, his career does not move up, with a mediocre salary—is fired from his job. Slumped when he met with friends in high school, Siku, short for Si Kunyuk (Monkey), who changed his name to Pierre. Kunyuk offers a job as a masseuse (Male Therapist). Because of desperate circumstances, he enters into the world of Male Therapist. Jodi success and become one of the most sought-after Male Therapist. Jodi courted one of his clients, a wealthy lawyer middle-aged woman named Anet. Jodi’s life goes smoothly, until he meets Dianka, a gorgeous waitress at a fancy restaurant. Then Jodi is going out with Dianka, But, this relationship is detcted by Anet.

Unang, Miing and Didin (members of the Bagito comedy troupe) own a motorcycle-based delivery company that is not doing very well. They hope to do better business by hiring young women to deliver the things consigned to them.

The story is about a former war veteran named Rachman (80 years) who still lives up to now, after the post-war independence with life problems and hustle in the big city, he finally had to surrender to the situation to live under poverty until now, hard to find a work with low-ranking military capital without the support of sufficient formal education, makes Rachman very struggling to find a decent job.

Fueled by love, rebellion, and rock 'n' roll, Radit and Jani live fast and free—until reality hits, and they’re forced to trade chaos for survival.

A Javanese mother has to struggle to lead their children against a complex confusion of their age. Unfortunately, the mother realized that actually, her children are trying to lead her too.

After her husband passes away, Dameria is forced to give up her daughter, Sari, to be adopted by her aunt, the spinster/lawyer, Purwanti. Dameria remarries to Zainal and lives a good life. Later, she yearns for Sari who is now a grown up. Sari knows about her intention. Dameria visits her at school, takes her for walks and lunches. Ten years later, when Purwanti is overseas for business, Sari leaves for Medan to meet her biological mother. When she returns, Purwanti goes straight to Medan. A confrontation ensues but Purwanti lets Sari decide. The girl eventually chooses to stay with her biological mother. But as time goes by, Sari feels uncomfortable with the new atmosphere and finally returns to her aunt’s home.

Tania, a blind girl, never gives up on her dream to see the world with her violin.

A young Indonesian leaves her baby in a cab, so the driver takes the infant home, then tries to find the mother.

After graduating from high school, Lupus was not accepted at a public university and forbade his mother to sell inherited jewelery so that Lupus could enter a private school and cover his debts. Lupus asks for a down payment from the magazine where he often writes with the promise of writing about teenage girls who like to come home early. He then interviewed and approached Pia {Paramitha Rusady} who went to the disco every night because the house was crowded. His widowed father only scolded him but was rarely at home. Disco is a place of entertainment. She's not like other disco girls, who are also sex-free etc. Writing about Pia had invited misunderstandings, so Lupus preached. And it is said that his father then wanted to change his attitude. Pia's story is intertwined with: catching frogs, applying for jobs that turn out to be unsuccessful.

7 Hati follows the story of seven women who are unknowingly interconnected. The lead character, Kartini (Jajang C. Noer), is a 45-year-old obstetrician who finds herself increasingly sympathetic with her patients. These patients include Ratna (Intan Kieflie), a hijab-wearing woman who is pregnant for the first time; Rara (Tamara Tyasmara), Ratna's 14-year-old sister; Yanti (Happy Salma), a prostitute; Lili (Olga Lydia), a pregnant Chinese Indonesian woman; and Lastri (Radia), an obese woman.

Because of his wife’s encouragement, Prabowo enters a dangerous business and is eventually imprisoned. While waiting for his trial, his business partner, Wahyuni the divorcee, whom he also loves, bails him out. Their children Ani and Reni, who have to downgrade from their mansion to a flat, suffer from the shock of change. They resort to drugs and prostitution to escape reality. While the mother is sick, Wahyuni becomes intimate with Prabowo. Once found out, they slowly try to solve each problem. Wahyuni is willing to reconcile the entire family. So Rini attempts to become a photographer, by following her boyfriend, a tour guide in Bali. There is another character, a journalist, who comes in and out of the film, and functions as a commentator and witness of their lives. The dialogue veers on philosophical messages as director, Slamet Rahardjo, tries to represent both the lower and upper classes, mixing his narrative style with realism.

Tji and Ing are grandparents who lived happily in the old days. One day, Ing said that she was afraid if someday, one of them can not wake up anymore.