Andrea Paolo Massara

In 1956, Roberto Rossellini was in the throes of a personal and artistic crisis. His recent films with Ingrid Bergman had flopped, their marriage was falling apart, and the press was relentless. When Bergman returned to Hollywood, Rossellini accepted an invitation from Indian Prime Minister Nehru to document India's progress. With doubts and a suitcase full of spaghetti, he set out to find a creative and emotional rebirth in India, inspired by a culture that balanced tradition and modernity.

In the vast rooms of a beautiful Sicilian villa, Anna receives an unexpected guest. Twenty-something Jeanne has arrived from France, declaring herself to be the girlfriend of Anna’s son, Giuseppe, who has invited her to the house to spend Easter together. But this is news to Anna, and Guiseppe is not yet there...

In the summer of his nineteenth year, Giulio has decided not to go away: he will spend his vacation at home, helping his parents with their work in the vegetable garden. In the house next door, empty for some time, arrives Lia, a twenty-year-old girl. Giulio would like to get to know her, but she is sullen and introverted. One day Giulio is swimming in the lake and Lia plays at drowning him. Giulio is a regular guy, sensitive and polite to a fault. Attracted to her, he starts thinking about her day and night. Lia initiates him into strange and increasingly dangerous "games." The girl won't talk about herself though. She has told him she came alone to spend her vacation in the old family home, where she hadn't been since she was a child. But Lia has secrets to keep and won't let anyone set foot in the old and abandoned house.

On an autumn night, in the deserted streets of a seaside town, Sara is fleeing from a party, convinced she has witnessed a murder. He finds refuge with Veronica, but does not know that the woman is the lawyer of an important industrialist, the alleged murderer.

A laid-back journey in search of one of the world’s most fascinating families, observed and examined from within its most intimate relationships, where the truth and depth of a memoir meet the ironic tone of an indie comedy.

Frustrated with their lack of upward mobility, some young Italians move to Cuba to start a wi-fi café and attempt to build a new life.

Because of a serious motor disability, Claudia cannot move without being helped by her mother. At the age of 20 she is still a virgin and wonders what sexual pleasure could possibly be like. But one day Marco, a Love Giver, comes into her life. Marco has just attended the first course to help disabled people to discover their own bodies and sexuality, an unprecedented event, on the margins of legality. Supported by a team of specialists, Claudia and Marco embark on a series of meetings which become ever more intimate. However, the project is subject to protocol which includes a rule that is difficult to enforce: never fall in love.

Set in a tiny seaside town, Fabio Mollo’s feature debut is a quietly evocative drama about a family’s attempts to cope with the loss of their son, and the impact of his absence on his teenaged sister Grazia.

Swimming in a public pool, a young boy faces great danger.

It follows Gaia, who works in a funeral home and one day something unexpected happens.

In his attempt to grow up and become a man, Pietro, a 15 years old boy who lives in the extreme south of Italy, begins to understand the reality in which he is growing up and touches what represents the most violent aspect of mafia: the silence.

No description available.

During Lea's wedding, her old friend Carla, now a novice nun, sits among the guests, as within her rises the desire to declare her love before the eyes of all, especially God.

One May afternoon, Nicholas, Daniel and Lollo can still do something to save their friendship: fight against a destiny that wants to divide them.