Acting
The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times
The police track down a notorious burglar in order to apprehend him. However, he is given a chance to make up for his ways by working with the police on a case involving stolen diamonds.
Rick Pang, an IPSC champion who is also a gun expert who tinkers with his pistols to perfect his technique known as 'double tap' which is the terminology where a shooter can place two exact shots in the same spot to maximize marksmanship.
Young Chinese-American filmmaker Wei-ming travels from New York to his childhood home on Lamma Island to make a video documentary about the imminent opening of a Disneyland theme park in Hong Kong. While doing research for the project, he meets Larry, a dancer/choreographer.
Instead of following the wishes of her parents and flying to Toronto, Mo-yung (Anita Yuen) journeys instead to NYC, in hope of finding Benny (Simon Yam), the man she loves. There, she meets Rubie, a sympathetic clinic worker who helps her to settle in the city.
Hiu-tung (Veronica Yip) is a naïve young wife who is forced to raise her child alone after her gangster husband skips town for Taiwan. Her next-door neighbor is Ching-man (Tony Leung Kar-fai), a cop still coming to terms with his partner's sudden, inexplicable suicide. Inevitably, the two begin to find solace in each other's company -- Ching-man even acting as a sort of surrogate father for her son -- and soon in each other's arms. Just as true love seems about to bloom, Hiu-tung's thuggish husband returns.
A portrait of novelist Dung Kai-cheung alongside the social and political history of an Asian metropolis where mass protests now afflict the city and its people.
In late 1989, angered by comments made by Liv Ullmann about Hong Kong's treatment of Vietnamese refugees, Rubie composes a letter to the actress. Passages from the letter are revealed throughout the movie as Rubie, her friends, and family come to terms with the impending handover to China, and decide whether to remain in Hong Kong or emigrate abroad
In this story, a dancer with one of the more conservative Chinese troupes is increasingly frustrated with their stodgy repertoire, and she and her photographer boyfriend want to start a new, more innovative company. They go to the moneymen and eventually arrange this, but the photographer is so overwhelmed by the difficulties he has endured in the process that he has a nervous breakdown and separates from the dancer, who goes on to ever greater success
