Gino Viotti

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A woman leaves her husband and her young daughter after she falls for a rally driver.

A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

There were very few commercial feature films made during the Italian fascist era that were as openly propagandistic as this famous (notorious?) dramatic paean to the Blackshirts. The story takes place in a small village in Italy in October of 1922, on the eve of the fascist "March on Rome", in which King Victor Emanuel III was persuaded to consign power to Benito Mussolini. Gianfranco Giachetti is Dr. Cardini, a doctor at the local psychiatric hospital, where a strike has been called by the local socialists. Cardini turns to the fascists to help avert the strike. His son Roberto (Mino Doro) rounds up fascist friends to fight those aligned with the strikers and the town's socialists.

Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.

The film portrays the comic adventures of a group of summertime travellers. Produced at the height of the fascist era, Treno popolare was nonetheless free of propaganda, and featured the first film score by the legendary composer Nino Rota.

"The Roman Banquet, the golden glories, the unrivaled luxuries, the wine, the dance, the song, the beautiful women, the sumptuous splendors that taxed a barbaric world for a night of feasting and revel-- Re-created for your entertainment in the most colossal drama produced", reads an ad in the Daily Argus of New York. Unione Cinematografica Italiana's lavish production of the oft-told tale stars Emil Jannings as Nero.

Two different couples on blind dates get mixed up when they pick the same location to meet.

An ageing couple, Papa Martin and his wife Genovieffa, live modestly while their son Armando and goddaughter Amelia complete their studies away from home. When the young pair return to celebrate Armando’s law degree, a debt collector exposes that his qualification is forged and demands repayment. To protect his son’s honour, Papa Martin sacrifices his own comfort, returning to work and sending Armando away to start anew. As time passes, the family’s love, guilt, and redemption intertwine in a heartfelt story of sacrifice and moral reckoning.

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No description available.

A favorite student of an old dance teacher gets casted in an important pantomime. When the teacher dies on the stage, she finds support from a journalist's affection to overcome the difficult moment.

When his wife storms out of a dinner planned in honor of his American boss (because their dog is not allowed to be at the table) an engineer pretends that his secretary is the missus.

It seems that Zarre (Guido Celano), the man chosen to be the jockey for the Lupa contrada, and fiance' to Fiora (Leda Gloria), becomes enamored of a cafe' chanteuse. Bachicche, the jockey of a rival neighborhood, wants to get even with Zarre for a past offense and enlists the help of the chanteuse, Liliana (Laura Nucci).

A killer is on the loose, murdering people with an iron claw.

Early, proto giallo set in a boarding house for girls.

A heated sporting rivalry divides Giorgio Roberti and Fausto Renzi, both capable marathon runners. After a defeat the latter contemplates abandoning competitive sports, but is convinced by Silvia Delotti, daughter of the sports organizer of the "Aurora", to return to his father's "stable". The rivalry thus also becomes sentimental between Giorgio, already in love with Silvia, and Fausto.

No description available.

No description available.