Acting
Otoku asks her brother Bunkichi to speak with her son Seiichi, a young man for whom sacrificed everything but who now seems to be headed for a wastrel life. Bunkichi admonishes the boy to study harder, but it seems his uncle's advice may already be too late.
The movie follows a young woman (Kinuyo Tanaka), a daughter of a high-ranking businessman and his neglected mistress, as she struggles to ease her mother's loneliness, while also having an affair with her father's subordinate.
"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.
A melodrama by noted auteur and father of director Yoshitaro Nomura, Hotei Nomura. This is apparently the first adaptation of Izumi Kyoka's The Romance of Yushima.
The 1st movie in the Kobushidake denki series.
An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all.
In a back alley of the Shitamachi district of Tokyo, Kihachi bears witness to a series of romantic complications involving the inhabitants of the neighborhood. Considered to be a lost film.
No description available.
In Depression-era Japan, a courteous bus driver carries an eclectic group of passengers from the mountainous Izu to Tokyo.
Heinosuke Gosho evokes in this film the family conflicts engendered by the eternal problem of a father who projects his professional desires on the life of his son. The sister Machiko is the essential link that will allow everyone to apologize to each other and achieve reconciliation.
In a Tokyo boarding house a group of students and recent graduates struggle to complete their studies and find jobs. Considered a lost film.
Episode in the life of a composer of a popular Japanese song.
