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Tommy Farrell

Tommy Farrell

Acting

Known For

Perry Mason
7.7

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

Perry Mason

1957
The Fugitive
7.3

Richard Kimble is falsely convicted of his wife's murder and given the death penalty. En route to death row, Kimble's train derails and crashes, allowing him to escape and begin a cross-country search for the real killer, a "one-armed man". At the same time, Dr. Kimble is hounded by the authorities, most notably dogged by Police Lieutenant Philip Gerard.

The Fugitive

1963
Matinee Theater
5.3

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater

1955
Dragnet
6.5

Follows the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet

1951
Maverick
6.9

The Maverick boys - Bret, Bart, Beau and Brent - are a clan of well-dressed dandies, gamblers who'd much rather make their money playing cards than messing up their fine clothing with actual work. Sly and clever, none of the Mavericks are much for acts of derring do, but they can be courageous when the situation calls for it. Most often, however, they live by their wits and considerable charm.

Maverick

1957
Get Smart
7.9

Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show's production company, Talent Associates, to capitalize on "the two biggest things in the entertainment world today"—James Bond and Inspector Clouseau. Brooks said: "It's an insane combination of James Bond and Mel Brooks comedy." This is the only Mel Brooks production to feature a laugh track. The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart's opening title sequence at No. 2 on its list of TV's Top 10 Credits Sequences, as selected by readers.

Get Smart

1965
Dr. Kildare
5.7

The story of a young intern in a large metropolitan hospital trying to learn his profession, deal with the problems of his patients, and win the respect of the senior doctor in his specialty, internal medicine.

Dr. Kildare

1961
The Beverly Hillbillies
6.9

Jed Clampett's swamp is loaded with oil. When a wildcatter discovers the huge pool, Jed sells his land to the O.K. Oil Company and at the urging of cousin Pearl, moves his family to a 35-room mansion in Beverly Hills, California.

The Beverly Hillbillies

1962
The Donna Reed Show
6.5

Revolves around typical family problems, such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children.

The Donna Reed Show

1958
My Three Sons
6.6

A widower and aeronautical engineer named Steven Douglas raises three sons with the help of his father-in-law, and later the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.

My Three Sons

1960
Cheyenne
6.1

Cheyenne Bodie was a big man, a former army scout who went west after the American Civil War and drifted from job to job, here a cowboy, there a lawman, and always a larger-than-life hero. CHEYENNE is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.

Cheyenne

1955
Hart to Hart
6.9

Wealthy couple Jonathan and Jennifer Hart, a self-made millionaire and his journalist wife, moonlight as amateur detectives.

Hart to Hart

1979
Rawhide
7.2

The tale of trail boss Gil Favor and his trusty foreman Rowdy Yates as they drives cattle across the old west. Along the way they meet up with adventure and drama.

Rawhide

1959
The Lucy Show
7.1

The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

The Lucy Show

1962
The Red Skelton Show
7.4

The Red Skelton Show is an American variety show that was a television staple for two decades, from 1951 to 1971. It was second to Gunsmoke and third to The Ed Sullivan Show in the ratings during that time. Skelton, who had previously been a radio star, had appeared in several motion pictures as well. Although his television series is largely associated with CBS, where it appeared for more than fifteen years, it actually began and ended on NBC. During its run, the program received three Emmy Awards, for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in 1961.

The Red Skelton Show

1951
Lost in Space
7.2

The space family Robinson is sent on a five-year mission to find a new planet to colonise. The voyage is sabotaged time and again by an inept stowaway, Dr. Zachary Smith. The family's spaceship, Jupiter II, also carries a friendly robot who endures an endless stream of abuse from Dr. Smith, but is a trusted companion of young Will Robinson

Lost in Space

1965
The Ed Sullivan Show
6.8

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

The Ed Sullivan Show

1948
The Munsters
7.9

A family of friendly monsters that have misadventures all while never quite understanding why people react to them so strangely.

The Munsters

1964
Hawaiian Eye
5.6

Private Eyes Tom Lopaka and Tracy Steele are based out of Hawaiian Village Resort where they work both hotel security and are hired by others to look into various matters. They're helped by their trusty right-hand man Kazuo Kim who runs a taxi company and is always eager to help them.

Hawaiian Eye

1959
Gomer Pyle, U.S.M.C.
7.1

Gomer Pyle, U.S.M.C. is an American situation comedy that originally aired on CBS from September 25, 1964, to May 2, 1969. The series was a spinoff of The Andy Griffith Show, and the pilot was aired as the finale of the fourth season of The Andy Griffith Show on May 18, 1964. The show ran for five seasons and a total of 150 episodes. In 2006, CBS Home Entertainment began releasing the series on DVD. The final season was released in November 2008. The series was created by Aaron Ruben, who also produced the show with Sheldon Leonard and Ronald Jacobs. Filmed and set in California, it stars Jim Nabors as Gomer Pyle, a naive but good-natured gas-station attendant from the town of Mayberry, North Carolina, who enlists in the United States Marine Corps. Frank Sutton plays Gomer's high-octane, short-fused Gunnery Sergeant Vince Carter, and Ronnie Schell plays Gomer's friend Gilbert "Duke" Slater. Allan Melvin played in the recurring role of Gunnery Sergeant Carter's rival, Sergeant Charley Hacker. The series never discussed nor addressed the then-current Vietnam War, instead focusing on the relationship between Gomer and Sergeant Carter. The show retained high ratings throughout its run.

Gomer Pyle, U.S.M.C.

1964