Anne Haug

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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No description available.

Shows the interaction between Hamburg police officers and paramedics.

No description available.

No description available.

A detective leaves the force to take over the family business as an undertaker at the same time as he is being investigated for murder. His close encounters with corpses and his earlier police training lead him to see things some of his ex-colleagues miss and he investigates the crimes he encounters in an unofficial capacity often to the dismay of the official police.

Inspired by true events, the gangster epic LUDEN tells the rise of the Nutella Gang, the most famous pimp cartel in Hamburg's legendary Reeperbahn during the 1980s. The unusual cartel turns the rough red-light district in St. Pauli into a glamourous place, but it is also the beginning of a power struggle with the established pimps of the GMBH.

A young lawyer stumbles upon a vast conspiracy while investigating a brutal murder case.

Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.

In the artist colony Rocket Perelman ten people strive to live their version of freedom and independence - everybody for themselves and all together. But that's hard work, since the joined theatre production puts the groups' idealism to a hard test.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

When his younger sister, a single parent, moves into the second apartment with her 5-year-old daughter Nina, an unexpected friendship develops between Josef and the uncared-for little girl.

Frida wants a baby. But although she forces her boyfriend to follow a strict fertilization regimen, she’s not getting pregnant. Just when she’s about to resort to artificial means, her boyfriend dumps her. Suddenly, she’s missing the most important pregnancy ingredient – the father. But Frida will stop at nothing to get her baby.

Nina and Karl are a perfectly normal, crazy couple. They can't live with or without each other. But suddenly, Nina can no longer stand the routine and decides to run away. She wants to be somebody else, though not (yet) an adult. The unfamiliar loneliness also affects Karl. Nina, meanwhile, doesn't seem to be able to get rid of Karl quite so easily.

William Shakespeare’s “A Midsummer Night’s Dream” is tackled by a quirky group of teachers in the Theatre Basel production, exploring Greek mythology and an enchanted forest. Oberon and Titania’s marital strife affects two Athenian couples, while Puck’s well-meaning actions worsen the chaos. Despite the magic and intrigue, the lovers unite, allowing the Athenian royal wedding to proceed. The school principal and his wife portray Oberon and Titania, the history teacher is Helena, and the ethics teacher becomes Puck. Initially planning to rehearse “Pyramus and Thisbe,” the faculty’s production is a celebration of imagination, with costume and set designer Matthias Koch creating seamless transitions. The play is a joyful, humorous exploration of theatre itself.

A better life is to begin for street child Anna in the mountain wasteland of all places. Where psychiatry and youth welfare services fail, only the experience of one's own limits can help, according to the mission of the unconventional educator Geena. On her mountain farm, she wants to reawaken a feeling for the existentially important things in life in her protégé through clear rules and daily work on the mountain pasture. But the unruly and disturbed girl has little faith in herself and the suffering she has experienced has left deep wounds in her childish soul...

The shy late twenties Torsten tile lives with his mother in a bleak Berlin slab. In the guise of his alter ego "Lux - Warrior of Light" he tries to make the world a little bit better. He distributes food to the homeless and helps out on his forays through the city wherever he can. A film crew accompanies him to make a documentary about the social engagement of the self-appointed real-life superhero. Jan, the director, is still looking for a donor. The resourceful producer Brandt shows interest, but on condition that he sees something spectacular.