Tadashi Suganuma

An action-packed, dramatic gangster film.

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

Three robbers escape with loot from a heist before one of them kills the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.

While covering a test of guided torpedoes, two reporters believe they see what appears to be a strange-looking swimming creature. They investigate the matter further and discover that there is a race of fish-men living under the sea. The fish-men capture the pair and keep them prisoner in their underwater city.

Jidai-geki by Kiyoshi Saeki

From June 1944, twelve Japanese seamen are stranded for seven years on an abandoned and forgotten island called Anatahan.

This film tells about the murder of Lieutenant Colonel Aikawa, the head of the Bureau of Military Affairs, about the beginning of the incident 2.26 and the execution of young officers.

No description available.

Abashiri Prison is located in the coldest place in Japan. Two men, handcuffed together have escaped from the prison, one a yakuza, the other a petty criminal, and although they hate each other they must work together if they are to evade capture in this harshest of climates.

No description available.

A modern gang version of Chushingura, chronicling almost scene for scene the Brave 47 Ronin story, transposed from the Genroku Period to the Showa Era.

Journalist Kuroki is investigating clandestine arms sales to Southeast Asia. He discovers that the point man in an arms trade was also involved in the cover-up of a murder on an American base during the Allied Occupation. The film rolls along as a suspenseful thriller while offering a critique of political corruption, hypocrisy, and journalistic cowardice in postwar Japan.

No description available.

A war breaks out on the streets between rivaling Yakuza clans.

1962 Japanese movie

Chiezo's two-guns-at-all-costs film, directed by Ozawa Shigehiro (Kengo Tengu Matsuri) from a screenplay by Matsuura Kenro (The Dice Magistrate). Shot by Nishikawa Shoei (I Am the Magician of Hell).

Based on the novel of the same name by Seichō Matsumoto.

A veteran reporter and a young journalist doggedly pursue clues through sheer persistence and intuition to unravel the mystery behind the sudden death of a teacher in the remote Hokuriku region. In pursuit of the truth, they are led to a web of corporate fraud, an inbred village, bundles of toilet paper, and flatfoots with something to hide as the bodies pile up.

A robbery and murder occurred at a gas station facing the national highway at 1:00am. Detectives Nagata, head of the First Investigation Division, begins investigating. Two bullets were removed from the corpse of a staff member on duty at the station, and the last car to be refilled with gasoline, Sakura Taxi No. 5-E1044, appears on the line of investigation. The same night, a robbery murder case was discovered using the same US military gun that was used on the gas station victim.

Detective Morgan and the Japanese police cooperate to unveil the truth of the mysterious death of Morgan’s friend in Arizona.