Filip Trifonov

The seven women inmates in Poslednata Duma are imprisoned because they have been associated with partisans opposing the fascist puppet government of the German Nazis. Each of them has the power to save herself if she will betray the others, and each bravely refuses to do so, even though it means they all will die. Despite their grim situation, and the atrocities perpetuated on them as political prisoners, they manage to laugh, and even celebrate a festival.

Two eternal opposing theses - play is our life or life is our play - are the base of music, dance and verse which fit together in this film.

Stephan is a sculptor. He refuses to do work that compromises his integrity. He has a guardian angel he talks to. We can't see him but we can hear his voice commenting on events Stephan gets involved in. As he crosses paths with the Artist, the Professor, the Director, the Poet, the Musician, the Actress and the Beloved, a world of characters arises to display a whole array of personalities and lives that share the spark of the creative spirit but also the lack of successful career. The voice of the angel reflects upon patronage in art and protecting your talent against corruptive forces, yet not through escapism but by learning the rules of the game.

The charming young man Ran is a director in a school in his hometown. His classmate Mariana is his wife. At the first glance, things are like, as they ought to be. In the world of untold words and timid gestures something important is missing - the understanding. He cannot succumb to the routine, hypocrisy and egoism. Ran sees every moment of his everyday life as a part of everlasting human strive for beauty and perfection, which brings him many troubles and causes conflicts with his colleagues and his friends. The intrigues and betrayal of a part of his colleagues during the visitation of a school inspector make him lose his patience. On a public place, he slaps the inspector who destroys the human dignity of the others. There is a court against Ran. He must leave the school. He leaves his wife Mariana who does not understand him. These misfortunes do not stop his search for real values, real work, real love, in another place, another town, another school.

Sofia. A hot July Friday pits two old rivals against each other. Twenty-five years later they are still boxers, albeit this time they are not wearing gloves.

A story about the struggle to save Bulgarian Jews during World War II

The action centers on Ran and his schoolmates who are in the last year of school. They are only a few days away from the day when they will have to make a decisive choice: what are they going to be, and what is more important, how are they going to live? In the whirlpool of meetings with different people and mainly with three women, the filmmakers are trying to see the future of their main character. His schoolmate Mariana wants to lead him into family life. The pop singer Neli is the very incarnation of adventurism. However, he is most deeply touched by the salesgirl in the near-by coffee shop Tintyava. This is a wordless affair in which each glance exchanged betrays the piercing excitement of impossible love.

A team of climbers are preparing for their new mountain climbing expedition. They are brought together by their mutual love for this dangerous sport, for its challenges. They, however, differ in tempers, in problems and notions of honor and dignity. Already up in the mountain, they are expected to pull themselves together to the full, in order to succumb to the will of the leader and forget about the tensions, accumulated among the members of the team. The team of young mountaineers is scaling a difficult summit, but mid-way they are buried by an avalanche. Caught in the deadly vortex, each of the characters relieves the cherished moments of his or her life. Each character illustrates a separate theme. Nayden has to cope with the problems of leadership. Nikifor is his rival, who is destined to be the perennial number two. The Man ho Is Sensitive to Cold is preoccupied with the subject of friendship. Matters that are typically artist absorb the Poet, The Sculptor and the Cameraman.

The beginning of the 20th century. A village in the mountain. The young barrel maker Liyu is to be examined by the local craftsmen. They approve the barrel he has made, blindfold. They give him "the craftsman's belt". At the beginning, nobody considers him a master.

Kireto: The Boy Who Left

Bay Ganyo is the national anti-hero. He personifies arrogance, insolence, greediness, and the absolute incapability to adopt any civilization principles of relationships. This protagonist was featured by great Bulgarian writer Aleko Konstantinov in the end of 19 c., both with an incredible sense of humor and anguish. Whether being in the Wiener Opera, or visiting a famous scientist at his home, or shopping, or just walking down the streets, this Bulgarian character, Bay Ganyo, is no more than a hopeless barbarian. The film makes new interpretation of this classical literature work. The comic adventures of Baj Ganjo are reconstructed in retro-nostalgic tonality. The final episode when the protagonist appears on the stage of the Wiener Opera among the singers participating in a Mozart's opera is the culmination of the transition of the farce into a tragic comedy.

Inspector Andreev arrives in a small provincial town. He starts digging through his predecessor's unsolved case, which involves certain big shots in town.

Velko, Filip, Pavel and Gosho have different professions but are connected by the love they have for music. They rehearse all year to make it big on the sea resorts in the summer. The head of the cultural center where they play is willing to give them the musical equipment if they replace their singer Maria (Filip's girlfriend) with the attractive but untalented Reni. This is the first, but not the last compromise they have to make on the way to the dream.

This is a film about the fight against the terrible invincible enemy - the banality of life. Chekhovian provincial hopelessness will creep in, broken by sharp turns of Chaplin-esque humor. A bow to silent cinema and Chekhov.

A new teacher - Marina - arrives in a small Pomak village in the late 1960s. She is a woman trying to live and think independently. Marina finds herself in a world unknown to her, at once pure and immaculate, but with the signs of the deformation of natural life that is typical of the whole country. After meeting the Doctor, Bai Mnogoznai, Mariana, the mayor, the internationalist Yosko, she discovers that each resists authority in their own way. And when the government starts changing the non-Bulgarian names of the Pomak villagers, the heroine realizes she is in a prison - with high mountains, forests, rivers - a prison of tragic beauty.

A small town is dealing with drought.

The police trucks and the piled up dead partisans in the village square shatter the peace of the village. The people manage to not only bear these extreme conditions, but also manage to take part in history. An army blocks off the village. Arrests and interrogation are common. The partisans are hiding in the forest. One of the soldiers manages to run off to them. The pot maker is among their aids and is killed while completing a mission.

No description available.

A film about friendship that can endure for years, despite the vicissitudes of historical events. In this film, Slavcho, Evelina and Willy (a German boy their age) are schoolchildren in the village of Barakovo during World War II, where the three first encounter love and hate.

Stoev, a talented architect is working in Rio de Janeiro. All along the design stages, Stoev's understanding has been that he would be going together with his assistant architect. However, the company chief secretly decides to change the terms and go instead of the assistant, threatening Stoev to cancel the whole deal if he doesn't comply. Stoev is left with the dilemma to betray a colleague and friend, or to miss the greatest opportunity in his career. When Stoev is about to choose the former, a mysterious dead body appears in his life.