Lauro António
Writing
Known For
José Pereira, a young medical graduate, meets a young and ardent Maria Eugénia. The time is the eve of the Portuguese Revolution, on 24th April 1974 and only a short time elapses between courtship and marriage. The young pair are very much in love, but José begins to have doubts about the "honesty" of such intense feelings of love, feelings which are too intense (or hot) to him . If Maria Eugénia is like this with him, will she be the same with other men?In the meantime, the Revolution takes its course. José, who previously had been persecuted because of his opposition against the old regime, now feels "left behind" and frustrated.
O Vestido Cor de Fogo
Estefânia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him. The parents accept it, the local priest and even the Seminar's rector accept it, and António accepts it - if not for piety, for obeyance to his parents. Once time goes by, and António is out of rural misery and into the prison-like system of a seminar, doubts and anguishes mount within him.
Manhã Submersa
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?
In the Interstices of Reality or The Cinema of António de Macedo
No description available.
A Bela e a Rosa
No description available.
Prefácio a Vergílio Ferreira
A journey through 40 years of life of the most important Film Festival in Portugal, through the voice of its President and Director, Mário Dorminsky and Beatriz Pacheco Pereira. Born at a coffee shop table in the "Invicta" - Porto City, with a subsidy of 15 "contos" (75EUR), since 1981 it hasn't stopped bringing us cinema, and given its weight and peculiarity, The project developed and soon became a reality, with the screening of several sessions a day, the realization of retrospectives and, also, in parallel, the promotion of concerts and art exhibitions. It is considered the biggest film festival in Portugal, and internationally recognized as one of the most important worldwide, and is now entering its 40th edition.
40 Years of Fantasporto
No description available.
Mãe Genoveva
Short documentary film by Lauro António.
Vamos ao Nimas
No description available.