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Jorge, a successful engineer and employee of a ministry and Luísa, a romantic and dreamy girl, star as the typical bourgeois couple of the Lisbon society of the 19th century.
After two years of fighting in Angola, Ilídio returns to the village where Mary, whom he considered his bride, is indifferent. She is convinced that she has a religious calling.
The vicissitudes of a bourgeois family and the conflicts emerged between brothers - Dr. Manuel Bernardo, wise and weighted, and Zecas, libertine and Capricious - who ignore his kinship. Two girls mark the sentimental vector: one defends the danger that threatens the threat, the other does not know how to react and is the victim of her ingenuity, a dream of restless youth ...
Eduardo, the son of the wealthy farmer Jerónimo de Vinhais, falls in love and departs for Lisbon with the fado singer Maria da Graça, after studying abroad, and refusing his father "too" to be a taurenic knight.
Professor Hermes conducts a research on fear, for which he passes contract with a patient to live a supposedly empty mansion. He's counting on his assistant Chico Mota to play a phantom, but soon comes about that there are phantoms (plural) in there.
Luisa and Manuel begin the existence of married, having only their dream and hope. He judges himself a Tarzan in the jungle of life, able to face all the threats, next to his companion.
Adriana, an orphan who has been raised in a well off family, becomes pregnant after being seduced by a man. Outraged, Mr. Bento kicks her our of home. What he doesn't realize is that her seducer is his own son, Raul, a brilliant law student.
