Tudor Cristian Jurgiu

Growing up without her parents, who had gone to work in the West, Flavia became a tough but distant teenager. The routine that keeps her safe and emotionally isolated is disrupted when two young children who have run away from home seek shelter with her.

After a devastating flood destroys their home, Costache and Maria struggle to rebuild their lives. As family tensions resurface with the return of their son with his Japanese wife and child, Costache faces the challenge of reconnecting across generations.

Ileana gives up trying to heal her sleepwalking condition and decides to embrace the sleepwalker inside. With her lover, Lia, as a guide, she stumbles upon a fairytale ending.

Tired of waiting for love to happen to her, Clara decides to make it happen. She chooses Vlad for her love project. But she wants The One; he wants anyone. She wants a prince, and he is only a man.

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George and Cristina are trying to break up. But despite their efforts and violent fights something keeps them together.

Alone in his kitchen in Bucharest, Dorel prepares for what seems to be a party. Actually, it’s his son’s wedding which takes place in the United States. Dorel is going to watch the wedding through a webcam, together with two of his son’s friends. On a small screen, they are about to meet the bride and her father, and witness the ceremony.

One stressful morning, like every other morning, Cristina suddenly stops in the doorway. She is unable to take the step that would lead her out of the house.

Titi pushes the concept of unconditional love to its extremes with prank phone calls to his mother who is working abroad in Italy. Sorin reluctantly goes along for the ride but seems to be struggling with secret battles and desires of his own. Are we witnessing adolescent fun gone too far, or are these signs of destructive narcissism and a harm to come?