Peter Potter

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Anthology series of dramatic works.

Drama 61-67 is anthology drama series which took a different title, based on year of transmission, each year. It alternated with Armchair Theatre from ABC in the Sunday evening slot. The series was described at the time as epitomising ATV drama.

Out of the Unknown is a British television science fiction anthology drama series, produced by the BBC and broadcast on BBC2 in four series between 1965 and 1971. Each episode was a dramatisation of a science fiction short story; some were created for the series, but most were adaptations of already published stories. The first three years were exclusively science fiction, but that genre was abandoned in the final year in favour of horror and fantasy. A number of episodes were wiped during the early 1970s, as was standard procedure at the time.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

The Strauss Family is a British seven-part miniseries produced by Associated Television about 19th century Vienna's Strauss family: Johann I and his sons Johann II, Eduard, and Josef.

Earth is no more, destroyed by nuclear war; but itinerant handyman Bert Foster, wandering the canals of Mars, is possessed by a restlessness for a home which no longer exists. He considers a move to an isolated outpost on Venus.

Interstellar travel at sub-light speeds: the enormous distances, isolation from human culture and the aching loneliness of space are enough to drive the strongest personality insane. Better to block all memories of human contact and to program the 12-strong crew to accept only the reality they can see and touch within their spacecraft. But a child born on "the Station" becomes insistent on learning the truth about 'Outside'.

Set around a classic case of broken vows – the defendant having literally left the claimant at the altar – the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided.